This is going to be one of those ‘process’ entries that may or may not be of any particular interest, but I do get people asking from time to time where my ideas come from. A lot of times I just go with ‘my crazy brain’ as a response, but over the last week there was a fairly self-contained example of how the ol’ mind-gears work and I thought I would share it today.
To somewhat set the stage, I had just finished the first round of edits for Bonhomme Sept-Heures and fired the manuscript back to the publishers for the second go-round. My plan was to revisit the project I had started writing last summer and then put aside because I got kind of stuck and had more ideas for Bonhomme Sept-Heures. So much for the plan.
Instead a dear friend of mine posted on Facebook that they had driven through a town with a name that they loved: ‘Easter Meikle Pinkerton’. (A town, by the way, that I have since been unable to find out very much at all about, but never mind) For whatever reason I latched on to that and wrote back a hilarious (not really) observation that this sounded like the love interest in an obscure Victorian spy novel. Another friend commented that I was now obliged to write said novel.
And there the trouble began.
I started thinking about Victorian spies and the first thing I decided was that Easter Meikle Pinkerton should be the protagonist rather than the love interest, because a) it’s too awesome a name to not be the main character b) the ‘Pinkerton – not of the agency’ line only works from the lead and c) a female spy in the 1800s is a pretty interesting character. Also kind of d) I haven’t written a female lead in a very, very long time, and not in anything that I have shared widely, so that’s attractive right there.
Now, I make hilarious (not really) comments like that all the time and most of them don’t go any further than amusing me and perhaps exasperating others, so we now reach the part of the process that I honestly don’t understand. Where a lot of ideas and musings and concepts just kind of flicker and vanish, certain ones set the mind-gears humming away, without (honest) me thinking about it, and then gradually more Stuff that goes with the idea starts getting thrown up from whatever strange subconscious alchemical part of my brain does these things to where I can notice them.
So it was with Easter Pinkerton. I started having ideas about what the general plot of the story could be and in general I like it. I know where Easter lives, I know she dresses as a man sometimes (sometimes out of necessity), has little patience for those who aren’t as quick-witted as she is (which is nearly everyone) and has a Welsh butler (whose name I need to nail down) whose main role in life is to smooth over the social upset she causes. Like most fictional spies she can kill you with a knife (and various other ways) but she’s rather unlike most fictional spies in that she builds model wooden ships. (There’s a reason) I know who our villains are and have a broad sense of how the story will play out. I need to start making a plot diagram to help me keep things straight, and I especially need to come up with Easter’s background. I’m trying to decide how many Holmes references to put in there.
I wrote a very rough teaser/prologue thing and sent it off to some friends to see what they made of it. They were foolish enough to say encouraging things and so now of course I have more ideas coming. I am at that point where I know the mind-gears are fully engaged because (among other things) I’m thinking through scenes as I’m running. (Sorry, reset the ‘days since Evan made a running reference’ sign to zero)
So I guess that other project is getting put off for a while again, even though I do like the idea and (because my brain is crazy) do feel guilty about those characters having to wait, again, while I write another story. On the other hand I think I need to jump on this idea that has me excited right now and get as much of it done as I can. I’m even taking the advice of (yet) another friend to write the bulk of this story now, while I’m enthusiastic about it, and do repairs and edits based on research (which will have to be done) afterwards. This goes against my instincts of How to Do Things, but one of the things that helped the other project run into the sand was realizing how much research needed to be done to get it right, and thus my mind wandered off to other things, so this may work out better. We’ll see.
So there you go. The idea for this one, which I hope I will be able to share with you at some point, came from a fairly offhand comment in the most mundane of places, and for whatever reason engaged the mechanisms of my strange little mind to the point that a story has started to form. I wish I could predict what will set that process off, but I can’t. Perhaps that will come in time, and perhaps not.
Perhaps you enjoyed reading that. I hope so.
This weekend I am excited to be at the Limestone Genre Expo in Kingston along with a whole passel of accomplished authors like Jay Odjick and Tanya Huff, talking about reading and writer related things for a few days. I’m going to be participating in a couple of panel discussions on Sunday afternoon and will be around the whole weekend, including spending some time at the Renaissance Press table, where you will be able to get a copy of King in Darkness and say hello if you’d like to.
Online registration is still available and you should definitely come if you can!