As I’m continuing to write the new WIP, at the moment I’m having a great deal of fun. In part this because I’m mostly at the stage of the project where I think it is A Fantastic Idea and Statler and Waldorf haven’t weighed in too much yet, partly it’s been because I’ve had wonderfully encouraging feedback from its very limited audience so far, but in large part there is another reason. Some characters are just fun to take out for a spin.
If you read the blog regularly (first of all: my sympathies), this is still the project with Easter Pinkerton, Victorian-era spy as its protagonist. I’m greatly enjoying writing Easter at the moment because she’s very unlike the lead character of King in Darkness and Bonhomme Sept-Heures, and the other project that got stuck in the mud summer before last. In all of those cases my lead tends to be thoughtful, arguably intellectual, but certainly not hard cases or much good at physical confrontation.
Easter is clever, I hope, but she’s also dangerous and that’s a very fun change for me. Easter responds very differently to crisis and to her enemies and it is (I imagine) like driving a different kind of car for a while, one that handles differently and has more power and acceleration. It’s not necessarily better (I am still very fond of Adam Godwinson) but the different experience is exciting.
This is one of the joys of writing, of course. One of the cliches about being an author is that you get to live a great many lives, vicariously, through your characters. I’m not sure I entirely agree with that, but you certainly get to play with a lot of different bits and pieces of the range of human experience without, you know, actually having to do them. You can write someone who is not the least bit afraid of perilous situations and get at least a sense of what that might be like, as one who generally tends to run for cover. You can create a character who speaks their mind no matter the consequences, and sort of know what that is like, even if you really tend to be shy. Of course it’s all pretend, and all you really know is what you imagine those things to be like, but these are still rewarding explorations to go on, and one of the pleasures of being a writer.
Some characters are just fun to write, as well, and I hope that Easter will continue to be one of those. I guess by this I mean their personalities are such that its entertaining to think of what they might say or do next and fun to put it down on the page. Another character from King in Darkness, Dr. Todd Marchale, turned out to be a great joy to write because he’s such a sarcastic grump and coming up with his next grumble never fails to amuse. Fortunately readers seem to have liked him too. I’m enjoying writing Easter in a somewhat similar way, too – hopefully in time her audience will like her just as much.
It is one of the great pleasures of indulging ones imagination and writing to take the time to come up with all the bits and pieces of background for characters that we like and craft every facet of their personality. At least for me, a great many of those details will never make it into the story – I think I’ve said before that I don’t particularly like it when stories bury me in reams of backstory, most of which has no real impact on the tale at hand – but still come up with them. I was delighted to discover that George Miller, the creator of the Mad Max franchise, has detailed backgrounds for just about every character that appeared in Fury Road, even though you don’t get even a hint of most of them. It sounds very familiar.
There are times when characters are not fun to write, of course. I talked about this a bit in the process of writing Bonhomme Sept-Heures – some characters are genuinely unpleasant to ‘be around’ and so the task of writing them down is (for me, anyway) also unpleasant. In a narrative sense it needs to be done, because I need that character and the story requires them to be a certain way, but that doesn’t mean I have to like doing it.
I suppose it’s a tiny tiny downside to writing fiction with some darker elements to it; from time to time I have to slither around in dark parts of the human psyche to create the made-up people I need to give the story the villains to go with the heroes. The temptation is to do it quickly and get it over with, but I have always thought that a good villain needs depth just as much as a hero does (perhaps more, because we’re more likely to ‘naturally’ grasp the hero’s motivation) and so it’s not an experience I can rush through.
I guess I hope I do justice to all my imaginary people, in the end. It isn’t their fault if the story requires them to be awful and I hope I treat them with somewhat the same care as I do the character who are fun to create. It’s also a kind of comfort that I know they aren’t real and are safely in my imagination where they can’t really do any lasting harm.
Now I think I’m going to go see what Easter wants to do for a while.
It’s just a few days until Word on the Street in Toronto! If you don’t know, Word on the Street is a fabulous open-air literary festival and this year, Renaissance Press will be there for the first time. I’m very excited to be able to make the trip down and to hang out at the Renaissance table all day; we’ll be in the Fringe Beat section if you’re looking for us on your map. If you’re in the area I don’t think there’s any way you’ll be disappointed if you come down, soak up all the wonderful reader-y and writer-y stuff going on, and pick up some awesome stuff to read. I’d love it if you came and said hi at the table.