I have finished watching the second season of Stranger Things, and so I am once again proud to be nearly the last sentient creature inhabiting the planet to bring forth my thoughts on a thing. This is probably going to be more than a little spoiler-y, so if you haven’t seen it yet, maybe go finish and then come back and read this week’s blog in a bit. Because I do recommend that you see it.
I think second seasons, and second parts in general, are difficult. One of the strengths of the first season of Stranger Things was that it was super tightly focused on basically two ideas: 1) Will Byers is missing and 2) Elle has escaped. Everything else that happened was connected to one, or both, of those things, and it made for a story that basically didn’t have any dead weight to it. There were lots of other reasons why the series was good, but that certainly helped it. I imagine that in part, it was written that way because the Duffer Brothers didn’t know if they would get any more seasons than that one, so they made a story that was nicely self-contained within the limits of what they knew they had to work with.
You can’t do that as easily with a second season, because the cast of characters you introduced now all need to be developed if they’re going to continue to be interesting (and I suspect there’s a certain amount of keeping the actors happy with their roles here too). So you have to broaden the scope of the story you’re going to tell and include a lot more threads. Probably knowing that they have several seasons to work with, the Duffers now also feel that they can spend more time setting up long-term things that won’t immediately pay off but get us ready for what we’ll see in the years to come.
All of which is basically to say that while I enjoyed this season a lot, it did feel a lot more uneven than the first one. There were parts of it that dragged for me, and parts of it that I didn’t really understand what they were for. (I’m not at all sure what the purpose of Billy’s character was. He set up a little bit of misdirection early on with dialogue that suggested that there was something odd about his situation with Max, but that didn’t go anywhere. Maybe they need him down the line.) The overall story that was told was good, but it had some weak points where Season 1 was very nearly seamless in its quality.
Still, I already want to see Season 3. I’m interested in the story that’s being told about Hawkins and this group of kids. I thought Season 2 veered more into horror territory than the first one; certainly the body count was a lot higher, we had a lot more gore, and a lot of frankly dark moments like Will’s brutal suffering under the control of the Mind Flayer. I’m not sure how much of this was a conscious tonal shift – the situation is getting worse – or how much of it can be attributed to the temptation to constantly up the ante in second parts: gotta be bigger, louder, more crowded.
From the quality of the writing to this point, I trust that the Duffers have a solid plan for where they’re taking this story and I’m looking forward to seeing it unfold. Presumably we can’t have another 2-3 seasons of Will being the victim of the threat from the Upside Down, so I’m looking forward to seeing what they do with him as a more active character going forward. Elle’s growing powers present a substantial writing challenge as well – how to create a threat that she can’t just immediately fix, and how to write a story
In a lot of ways you could argue that Stranger Things to this point has been Elle’s story: she’s the one with the cool powers, she ultimately defeats our baddie in both seasons, and most of the key relationships revolve around her. This is more than fine – she’s a compelling protagonist. (You could argue that it has also been Will’s story, but he’s been necessarily so much more passive that it doesn’t really work. People are trying to save Will, or help Will, and the story has been about that, but it isn’t about what Will does, not yet anyway) If it stays that way, then most of our other characters will necessarily have to remain more peripheral; Elle is basically a superhero and (this is one of the strengths of the show, in my opinion) everyone else is intensely ordinary. If the focus stays on her, Mike and Hopper and the rest are going to be Elle’s backup. That’s maybe the obvious way to go, to me. Shifting the story off of her would be tricky, and it’s hard to immediately think of what challenge you could create that wouldn’t have Elle as its best solution.
I guess we’ll see. I’m very much looking forward to finding out.