Tag Archives: Heretic Blood

Can*Con 2018

This past weekend was Can*Con 2018, the SFF convention in Ottawa that I help to organize. As ever, it was a great deal of fun, it was tremendously inspiring to be around so many passionate readers and writers of the stories I take joy in, and it left me absolutely exhausted. Still recharging the batteries, but I wouldn’t have it any other way.

Each year I feel as though I’m growing into my role as an organizer a little more and figuring out the best way to be of use to the convention, to make the convention useful to me, and then also have some fun. I enjoyed Can*Con 2018 the most out of any that I’ve been to so far, and aside from a few minor glitches, really had a great weekend. A lot of that is because we have such a great group of people who all pitch in and bust their butts to make the convention work. Marie Bilodeau, Derek Kunsken, Jaggy Sue, Kate Heartfield, Cortni Fernandez, Lisa Toohey, Tyler Goodier, Marco Cultera, Dario, MP, and a great crowd of other volunteers whose names I am shamefully forgetting all put their hearts into making the con work and it is truly inspirational to be a part of that. Most important of all for me is my programming wingman Brandon Crilly, who I maintain does most of the work and who I cannot imagine doing all this without. Can*Con is a great community that, in a lot of ways, keeps going all year long, and it has become tremendously special to me.

This year’s con was also special because it was the formal launch of my friend Derek Kunsken’s first novel, The Quantum Magician. It was Derek who drafted me on to the Can*Con team, and since then he has been a great encouragement about my writing at the same time as he has pushed me to try harder and to aim a little higher. He’s become a good friend and it was an absolute delight to see that he had a packed house for his launch. Derek is a great person, a wonderful writer, and he has given so much to the Ottawa SFF community. It’s tremendously satisfying to see all of that rewarded.

I also had a chance to make what I hope may be a valuable connection for the fate of Heretic Blood; I was able to have a talk about the book with our agent Guest of Honor, Kurestin Armada, and she was kind enough to make a partial request on it. I am now furiously polishing the first pages of the manuscript so that I can send them off to her. These things are super stressful and hard to do (for me, anyway) but I’m (usually) confident that if I can get someone to read my writing, they’ll like it. Even if Kurestin turns out not to be interested in the book, this was valuable practice for how to reach out to the person who will be.

As much as I always end Can*Con profoundly tired, I know that I am extremely fortunate to be part of the team that puts it together each year. I have met amazing people who have become good friends, I have grown as a writer, and I have made connections that I know I would not have made any other way. It’s a lot of work, but it’s absolutely worth it.

I’m almost ready to get started on 2019.

Just these 50 pages to edit first.

Thanks for reading.

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Beginning/Finishing

Couple of quick-fire topics tonight, as Can*Con approaches and I increasingly feel as though my head may be on fire.

This past weekend we saw the first episode of Doctor Who with the new actor portraying the Doctor, Jodie Whittaker. I’m not going to get too in-depth, partly because ‘spoilers’ and partly because ‘head on fire’ but in short: I thought it was really fun.

Whittaker was great and seemed very comfortable in the role. It will be interesting to see how much of her manic energy level will be a temporary artifact of the regeneration process and how much will be a permanent element of the character. Either way, it was a treat to watch, I thought the new cast looked like they will be fun and bring a variety of different perspectives on travelling around with an itinerant mad scientist.

I have seen some criticisms of the episode arguing that it was an overly simple plot and not grand enough for the introduction of a new Doctor. I agree that it was a pretty basic story, but I applaud the decision for a couple reasons. First, although I have enjoyed the last few seasons of the show, it is also true that I have found the increasingly labyrinthine and obscure season-long puzzle arcs to be less and less charming. A season that isn’t trying quite so hard to weave an intricate mystery out of a bunch of enigmatic hints and just has some straight-ahead tales will be very welcome.

I also think it was a wise move on the part of the writers, because it would have been reasonable to anticipate a bunch of new viewers tuning in for this one. You want something accessible, not something that requires exhaustive knowledge of years and years of Doctor Who lore to appreciate. You could tune into this with very little background at all, understand what was going on, and jump on the ride.

It looks like it’s going to be a good one.

—-

Also, as Can*Con approaches, I achieved one wee little goal I had set for myself. I had planned to finish the third revision of Heretic Blood in time for the convention, in part so that it was ready to pitch to a couple people who I’m hoping to have a chance to talk to, and also because (as I’ve mentioned), I like a deadline. We are juuuuust under the wire, but I can say: Mission Accomplished.

All of the revisions so far have been fairly significant, and although that’s not always easy (what do you mean it wasn’t perfect the first time?), I think each rewrite has made the story significantly better. Right now, I have a story I’m quite proud of, that I will be pleased to share with a wider audience, and that I know not everyone is going to like.

That’s ok. There is probably some Platonic ideal story out there that will please every reader. I haven’t created it yet, and I haven’t read it yet. I think Heretic Blood has its strengths, and I feel confident that people will read it and like it. Some people will find it not their cup of tea, and I’m all right with that. I think the story needs to be the way it is. Pushing it to be something else might eventually work, but then it would be a different story than the one I wrote, and although it might then appeal to people it wouldn’t in its current form, we’d probably lose some of the people who might like it as it is currently written.

You can, I think, chase the broadest possible appeal forever. I think Heretic Blood is pretty darn close to being exactly the story that I want it to be. (It isn’t, by the way, the story I thought it would be when I set out to write, but that’s also more than fine.) At a certain point, a piece of art is what it is going to be, and you have to send it out into the world and let it try to find its audience.

I hope to do that soon.

Thanks for reading.

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Pots

Just a bit of a progress report-y entry this week. As I’ve mentioned a couple times recently, I (relatively) recently finished a complete draft of Heretic Blood, which I hope will become my next book, and have been working away on revisions and edits. It’s going ok, as I continue to get invaluable feedback from the Eager Volunteers, but it’s also true to say that I find editing to be less fun than creating something new (I think most people do) so my brain keeps straying away to what the next project should be.

I have several ideas, which is another kind of challenge. First, I need to keep as on-task as I can editing Heretic Blood so that it’s good enough to try to find a home for. Second, if I’m going to do anything useful on new work, I need to pick one new project and focus on that. Having multiple ideas is certainly not the worst problem to have, but I’ve already learned that trying to write more than one thing at once doesn’t really work for me. So, I’m somewhat waiting to see which idea I end up having some real sustained interest in; that can then become the next new piece of work while I continue making Heretic Blood presentable to the world at large.

I am also in the midst of rereading (after many, many years) the Prydain stories by Lloyd Alexander, and enjoying them a great deal. I had forgotten just how charming they were and I may write about that some other week. However, I’ve also just gotten to the part (in Taran Wanderer) where Taran discovers that a) he really likes making pottery but b) he’s not skilled enough to make a living at it.

From time to time I wonder, as I imagine a lot of creatives might, if I’m in the same sort of position with my writing. I really enjoy but, but maybe I’m not quite good enough for it to ever be more than a hobby. I suppose that a) the jury may still be out but also b) at some point you have to decide how much that matters – is it worth creating the art because you love it, even if it never really becomes much beyond that?

I have my moments of doubt about it all, but I know that when I’m able to get some stillness and put the world away for a while that I decided this long ago. I’m gonna keep making pots.

Thanks for reading.

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Back to It

Just a very quick note this week as I don’t really have a great topic idea while also getting a bit busy with the impending start of the fall term and doing some programming work for Can*Con. I also just got home from a vacation up north a bit where I was able to spend some time tending a fire again. As I’ve written about before, I find that deeply satisfying and it was a very nice break. Now back to it.

Primarily right now, “it” is doing revisions of Heretic Blood to get ready to try to find a home. I always find it a strange experience going over my own work. I wrote all of it (honest!) but I will find mistakes that I absolutely cannot believe I made that make me cringe (discovered today: three consecutive ‘Chapter Seven’s) along with word choices and phrases that strike me as awful. I can’t believe I wrote that, yet I indisputably did.

I will also find those parts that make me smile, I’ll read a turn of phrase and think it clever, and every once in a while I will read something that gives me a little chill or flare of excitement. I can’t always believe I wrote those bits either, yet I indisputably did.

Part of this is just to say how important it is to revise thoroughly and find a process for it that works for you. When I sent out the first ‘complete’ draft to my Eager Volunteers, I thought it had most of the rough edges knocked off it, but both they and I have found really glaring errors. They’re in there. Edit your stuff.

Part of it is also what is for me a helpful reminder that even though all the missteps, large and small, are in there, the good stuff really is in there too. Finding a flaw in the work isn’t a sign that it needs to be abandoned, or burned to the ground and started over. It just needs more work.

Revising is not nearly as fun for me as creating something fresh, but it’s at least as important if I’m going to end up with something that people actually want to read. If ‘being there’ is a significant factor in success, so is being willing to do the grind. Most any field that I have any experience with whatsoever has some kind of grind associated with it, and if you want to work in that field, you gotta do the grind eventually. Put it the work, get it done, and that’s how you get back to the fun parts. And it is satisfying, in its own way, to look back at what you were just able to grind on through, know that you took care of that, and did it the best you could.

I have comments in from another Eager Volunteer. Back to it.

Thanks for reading.

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Not Insane

From time to time I meet up with some other local authors and we sit in a place (it varies) and do some writing. It’s very slightly social (the idea is not to talk to each other the whole time) but mostly the idea is to be productive. I find doing it in a group useful mostly from an accountability standpoint, i.e. I will feel guilty if the others see me goofing off on Twitter instead of writing the thing I’m meant to be writing. Also, going to a different place to work from time to time (although I deeply value my Writing Deck time) is useful because it stops me wandering off to do laundry or pet the cats instead of staying on task.

So the group writing sessions are very useful. I got refocused and back on track with the first draft of Heretic Blood by going to a bunch of them, and today I got a nice little bit of the new project hammered out by just going to a room with some other writers and sitting there and getting shit done. Well worth getting out of my pjs for.

Today’s session was also useful in a different kind of way: during one of our ‘get more coffee’ intermissions, we got to talking about how we work and I mentioned that thing I do (which I have written about here several times) where I write the first draft of my stories out of order. I think I’ve also mentioned that when I explain this process to other people, I get a strong feeling that it sounds insane.

Today though, one of the people I was writing with, who happens to be a thoroughly legitimate professional (and, in fact, I suspect that after a few more years go by, people won’t believe me if I claim to know him) said that he does the same thing, for many of the same reasons. I don’t mention this to argue that this means I am doing things Right (I still don’t believe that there is a Right way to do things), but because it was really very validating to have another writer say that yes, they do things that way too.

I think it’s very easy to convince ourselves (especially those of us prone to Impostor Syndrome) that however we do things is a massive ongoing disaster and that people will think we’re insane for doing it. So it’s almost a relief to hear that yes, other people use the same methods. I would go so far as to speculate, in fact, that no matter what method any individual writer is using to get the words on the page and their stuff completed, there’s a whole bunch doing the same thing. Because it works for them.

So what I’m doing isn’t insane (or at least no more insane than the endeavour of ‘creative writing’ is as a whole), what any of you reading may be doing also isn’t insane, and what matters is that the shit gets done.

Man, that’s dangerously close to advice again. We’ll call it there.

Thanks for reading.

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Plan?

Revisions are underway for the first draft of Heretic Blood, which I hope will become my third novel. I had one set of notes from an Eager Volunteer already, and have done one editing pass/rewrite based on those, and I’m waiting a bit for others to come in. I will do my own revision as well at some stage but I’m giving myself a little distance from the the thing before I do. Given the mistakes I missed in composing the first draft, I think this is for the best.

While Heretic Blood is on temporary pause, I’ve started the groundwork for what will be the next WIP. Unusually for me, I’ve spent reasonable chunk of time planning without really beginning to write. (Ok, yes, fine, I’ve already written the first and last paragraphs, leaving only all that tricky stuff in between to do.) With the other books, I largely just started writing the bits of the story I had clear in my mind, and worked out how it was all going to fit together, and what the other bits needed to be, as I went along.

I’m not entirely sure why I’m approaching it differently this time. Partly it’s because the story (as I imagine it now) will have a more complex structure than the ones I’ve written before, with flashbacks interwoven with the main narrative. I feel like I need to figure out what all of those are going to be before I start my work.

And that’s really the key thing – I feel like I need to spend some time planning this one. I can’t clearly say why, but it has been very clear to me that I need to hammer some stuff out before I’m ready to write. Perhaps this is because the WIP is a story I began once before, and ditched – I need to understand what I’m changing, and what I’m keeping, and get it relatively straight in my head before I start writing.

The reason I mention it is that, whatever the reason may be why I feel like I need to plan this time before I write, it serves as a really good example of how there is no One True Way to writing a story. I’m doing this one very differently than the last time. I can’t say for sure that it’s going to work equally well (for me), but there’s only one way to find out, and that’s to try it and see. Maybe it’ll be fantastic and I’ll plan from now on. Maybe it somehow is particular to this idea and I’ll never plan again.

The point is you gotta try and see what works for your process. Stuff that works, keep doing. Stuff that doesn’t help you, don’t worry about.

I’ll let you know how it goes. Thanks for reading.

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(Not actually) Finished

I’m pleased to have as my topic for this week’s blog that I finished a complete draft of Heretic Blood today. I’ve been working away at it, at varying rates and to varying degrees of success, for what feels like a very long time. There have been numerous challenges (many moaned about here on the blog) and I think this book may well be the most difficult thing I’ve ever written.

It changed, or at least my impression of what it needed to be changed, at least twice as I was writing, requiring some extensive rejigging of things both already done and yet to be created. There are also some challenging things in it (that I’m not entirely ready to spoil just yet) that go beyond what I’ve tried to grapple with in my fiction before. In the end I have something that (even reasonably deep in the Statler and Waldorf process) I think is reasonably good and should only get better as I begin the next phase of the job, editing and revising.

I think I’ve mentioned here before that I wrote this book just as I pleased. I picked the words I wanted to pick, wrote each sentence the way I wanted it, and gave more or less zero thought to any of the rules of writing that you’ll encounter on any typical cruise around the internet. As I’ve said before, I’m not sure there really are rules, or at least (as one writer put it on Twitter recently) not in the sense that there are rules for how to assemble an engine. There are, of course, principles that will work somewhat more often than they won’t, and approaches that have succeeded for a great many writers. When it comes down to it, though, what you’re left with is you, the page, and getting words on it. You have to do what works for you, and you’ve got to make it your story. That’s what I think I’ve done with Heretic Blood, which may or may not be an unreadable mess, but it’s my unreadable mess, and I like that.

Editing will probably demand a lot of this changes, and that’s good. My hope is that I’m starting from a place that has a strong voice and tells a story the way I would like it told. I’m sure it won’t be for everyone; with luck it will resonate with some audience, of whatever size. I really do look forward to hearing what my Eager Volunteers think of it, and then hopefully what more of you think of it when and if the book gets to you.

I hadn’t expected to finish today. I knew I was reasonably close, but then this morning I was working on rewriting a scene, took a look to see how much more work there was to do it total, and realized that I could just do all of it today. I changed the plan for my afternoon a little bit, pushed on, and got it finished. It was somewhat like that feeling towards the end of a race when you see the finish line and realize you can sprint to the end. Just: wow, yes, we can get this done!

I made a lot of progress in the last couple of weeks. I think a lot of it was having a stretch of days to devote to writing, and really focus on it, to kind of get my legs under me. I hate to continue the running analogy, but there are things I don’t properly realize until I’m doing them. When I’m running, I need to be able to feel the right stride for me to use – the one that feels slower-paced, but with bigger strides that digest the kilometers, not the quicker, shorter one that burns my cardio and ends up a more frantic, slower movement. It really is similar with my writing; I need that block of days to feel myself settle into a good steady rhythm, and then the pages fill themselves.

I think I hit that over the past week, in particular, and now this job (or a phase of it, anyway) is done. I need to carry this momentum on to another project, and I have a couple of ideas.

Finishing is a lovely feeling.

Now to start something new.

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Boba Fett

There’s a lot of Star Wars content coming out these days. Here’s a little more.

No, I haven’t been to see Solo (continuing my tradition of taking an extremely long time to see movies), but it did open just recently, and then at about the same time we got the announcement that a Boba Fett movie is in the works.

Somewhere, 16-year old me is god damned delighted. There’s history here – I was among the very many Star Wars fans who latched on to Boba Fett in the first trilogy of films. I used Boba Fett as my alias in games and online whenever possible, I had a Boba Fett mug on my desk for years, along with a little model Slave One.

Boba Fett was cool, and in part it’s because the character has a great, distinctive visual design (although much copied since then) and mostly he just stands around looking dangerous. Han Solo is clearly terrified of him. Darth Vader, of all people, treats him with something approaching respect. Beyond that, he’s a menacing, rad-looking mystery, except for the part where he suffers a jarringly slapstick demise in Jedi, and even that was okay because the writers for the Dark Empire comic (I’m pretty sure) wrote him a more typically badass escape from a grisly fate in the Sarlaac Pit.

And that was where the trouble started, really. Ever since then, we’ve had more and more bits and pieces added to Boba Fett’s story, first in comics, and then in the prequel trilogy, and various associated books. To me, everything they’ve added to the character past the original trilogy has made it worse, to the point where I really don’t particularly want a Boba Fett movie at all, anymore. Somewhere, 16 year old me wants to fight.

Some of this may be personal taste, but I think also the character has lost a lot of his appeal by having more and more of those tantalizing blanks filled in. Sometimes it is more compelling to go ‘who is this guy? What’s their deal?’ than to have the answer handed to you. I think part of why that is is the fun of feeling your own imagination engage and working on your own answers to the question. Some of it is that our brains love a mystery, or a puzzle, and usually those are a lot less fun once you have the answer in hand.

For me at least, that’s what happened with Boba Fett. I found almost all of the added detail we got about the character fairly boring, and most of the answers we got made him into a lesser figure rather than a more interesting one. Having been given what I thought I wanted, I like the character so very much less. This may all have been inevitable. If you’ve created a character and your audience is clearly into them and eager for more about them, it’s an extremely attractive idea to go ahead and write more of their story. I felt that a bit with one of my own characters from King in Darkness, although the money factor is obviously much different.

For what it’s worth, I think it’s important to remember that there’s some risk along with the reward, and that in creating more, you may in fact end up diminishing what you had before. It was better before. I think I was right, in the end, not to make Professor Marchale a more prominent character than he was in my books; people seem to dig the scenes he’s in, they want to read more (which is good), but it might wear thin or get tired if those scenes increased in length or number. I think it would have been better if we had gotten a lot less about Boba Fett, and I really don’t think we need any more.

It’s not a character that I’m curious about any longer, I’m not excited to see him in action (somewhere, 16 year old me is very sad) and I think there’s a good argument to be made that we’ve got more than enough stories about gritty shades-of-grey violent dudes already, and it’s difficult to see how a Boba Fett movie could be anything else. I don’t really need to be asked to sympathize with another guy who ends up doing bad things in reaction to the tough hand he’s been dealt. Show me more people who rise above that shit.

I also worry, just a little, that the Star Wars universe is going to become heavily overfished, with too many movies about too many second-rate characters that will ultimately dilute the appeal of the whole. There are, I’m sure, good stories waiting to be told (I think the case for a ‘Leia’ movie is pretty strong, and you could make a pretty awesome Lando movie), but we don’t need to know the untold origin of every B-list character, and ultimately I don’t think we need a Star Wars movie every year for the rest of time. It was rough waiting for new Star Wars, but I think often we appreciate the things we don’t get very much of that tiny bit more.

Obviously all of this comes back to the most basic of principles: tell good stories. Easier said than done, sure, and I’m equally sure that everyone at least sets out with the intention to tell a good story, but it’s important (I think) to really think over whether or not the story you’re planning to tell is going to be awesome, and if it’s not, maybe wait until you can figure out a way to get it there. In my own work, I had an idea for a fantasy novel that I thought was ok but not, like, amazing, so I put it aside and did the project that is (slowly) becoming Heretic Blood. By now, I think I know how to make that fantasy story awesome, so it’s next on my list. Make sure the stories are good stories, and not just something that’s done for the sake of doing it. We owe our audiences and our characters better than that.

It’s clear that the hunger for more Star Wars stories is there, but although it may be a faint hope in a situation where the money is also clearly there, I hope the people making the decisions are considering that it’s not only important to tell stories, but to tell good stories, and that sometimes the untold story can be just as compelling.

—–

We are coming up on a provincial election here in Ontario, and it looks as though it will be an extremely close one. There’s also an extremely clear choice to be made, and though I don’t typically write about politics here, in this case I’m going to.

I’ll start by acknowledging that my own politics are, uh, not conservative. Even so, although I will almost always disagree with it, I think a conservative viewpoint is an important part of our political conversations and landscape. Even though I basically always wish they wouldn’t do so, I can generally understand why rational people might go out and vote for a conservative politician.

However, I don’t think there’s any argument to be made for voting for Doug Ford. There’s a long list of reasons why but perhaps the most important is that a party running on fiscal responsibility still hasn’t said how they will pay for their promises. They’re promising tax cuts and rebates and cheap beer and not saying where the money will come from for any of it.

This is leaving aside their stated policies that are anti-environment, socially regressive and favour wealthy corporations. We’ve also seen this playbook before, not all that long ago, when Mike Harris was premier, and it was a disaster. Ford seems worse, because they’re not telling us what we’d be giving up in return for the things they say they’d ‘deliver’. I imagine we wouldn’t care for the answer.

There are legitimate reasons to criticize the current Liberal government, and they’ve been in power a very long time. It’s not a surprise that a lot of people want change. I also understand if you’re a conservative and can’t bring yourself to vote NDP. I would ask, though, that everyone think very carefully about whether or not they honestly want to see the province run by Doug Ford in particular for the next four years, and cast their vote accordingly. Spoil that thing if you have to, but please don’t vote for Doug Ford, who gives every sign of being a perilously bad candidate for premier.

It also looks like voter turnout is going to be important, particularly for the progressives. You should always vote, but especially in a tight election, one that is a choice between very different alternatives, there’s no excuse not to.

That’s what I’ve got for you this week. I appreciate your reading it.

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White Tears

I just finished reading White Tears by Hari Kunzru, and I Have Thoughts. I’m going to try to keep this as spoiler-free as I possibly can, but if you haven’t read the book yet a) you probably should and b) proceed with some caution, I guess. This isn’t going to be a review, exactly (I don’t really do reviews here, although maybe I should start?) but I will start off by saying that I enjoyed the book very much. It was recommended to me by a friend, and upon hearing that the plot is based around a mysterious blues song, I definitely had to check it out.

Without giving too much away (which I think is important), I think it’s safe to say that whatever I expected the book to be, it was most definitely not that. There are at least two major places where the story takes pretty massive left turns from where you thought it was headed, and ends up being something quite completely different than the sort of story it seemed like it was going to be at the outset.

Now, I really enjoyed that. I liked those moments where I was sitting reading, looked at what had just happened, and had to go: ‘wait, WHAT?’. It was very fun to have a story completely get the drop on me not once, but a couple times, like that. However, this is also a risky thing for a writer to do. You don’t have to dig very hard to find reviews of White Tears where readers found it annoying or upsetting to have the rug pulled out from under them.

White Tears also (and this is as close as I’m going to get to a specific spoiler) heads into territory where the reliability of the narrator gets very questionable. It’s not at all clear that they’re describing what is happening accurately, or that they even really know what’s going on. Again, I enjoyed that, but I do sometimes find the unreliable narrator a bit of a cheap trick to pull a fast one on the reader, especially if the unreliability is itself a surprise. It can be kind of a sucker punch and I don’t think it always works well.

So White Tears did at least a couple of things that were fairly risky in telling its story, and although I enjoyed them, I can also understand why some people would not. It’s interesting to think about these kinds of things from the perspective of a writer: taking your story in unexpected directions may excite some of your readers, but may alienate others. On the other hand, a story that takes no risks is in a different sort of danger, that of being too predictable. That sucker punch can be hard to take for a reader, but it can just as bad to see every single thing coming.

It’s possible to argue that a writer should just write the story they want to write, exactly as they choose, and whoever’s gonna like it will, whoever doesn’t like it, won’t, and so be it. Write the thing and let the chips fall where they may. It’s also possible to approach things from the point of view that you need to use enough unexpected elements in a story to keep your reader guessing at least a little, but not so many that they end up being confused or alienated.

I guess in writing Heretic Blood (at least this first draft), I am closer to the former perspective. I’m writing it almost exactly the way I want it to be, and then we’ll see if anyone likes it. It is liberating, in a lot of ways, but also a little scary, because I really have no idea if anyone is going to like it. (I have had positive feedback from Eager Volunteers so far, but they also haven’t seen the whole story yet)

The thing is, though, that no matter what calculations you make in crafting a story, no matter what kind of balancing act you do in what goes in and what doesn’t, you can’t honestly know whether anyone will like it until it’s out there and people have a chance to read it. That’s the scariest moment of writing, for me anyway, when you send your work out into the world and wait to see what people make of it.

I think, increasingly, that if I’m gonna screw up I’d rather do it writing something that is what I truly want to write rather than screwing up chasing someone else’s idea of what a story should be, so that’s where I am with Heretic Blood and that’s how I expect I’ll proceed with whatever comes next. We’ll see how it goes.

In the meantime, do give White Tears a shot. I think you’ll enjoy the ride.

—-

I will be at Ottawa Comic-Con this Saturday, hanging out at the Renaissance Press table all day! You can come and get your copy of The King in Darkness or Bonhomme Sept-Heures, or indeed nearly anything else signed and say hello, if you would like. Renaissance has a lot of new titles out this spring as well so definitely worth coming to check out their wares.

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Just an Update

It’s just going to be a very brief update this week – I’m a little sick, and a little fried from grading, and a little lacking in a clever idea.

I’m nearly 80,000 words into the WIP, which I am resolutely going to try to only call Heretic Blood henceforth, because it really is very nearly finished. I’m fairly certain. Most of what I’m doing now is assembling all the various out-of-order bits into the proper sequence and plastering over transitions. Of course every time I do that it adds about another 1,000 words, but I don’t believe I have too many major components to write from scratch.

Sometimes, though, in putting things together I’ll discover that there needs to be another scene (rather than just a line or two) that gets from one to the other, and so ‘cut and paste’ turns into ‘write furiously’. As a result, I can’t be absolutely positive how much more there is to do, aside from ‘not all that much, probably’. When I write it out this way, the process sounds insane. It may well be. However, it’s also how I wrote the two novels that I actually got finished, so I’m not terribly inclined to tinker.

I have a little bit of a deadline, because (without giving too much away) the agent who will be attending Can*Con as Agent Guest of Honour this fall might – based on their wish list – be interested in the manuscript. But of course, that means it has to be done.

That got me to thinking that originally the plan was to have this thing ready to pitch at last year’s Can*Con, which fell off the rails when that Agent Guest of Honour turned out to be one who would not rep this kind of book. So I am, arguably, about a year behind schedule with getting this book finished. Which, compared to the productivity of some writers I know, is a little bit of a downer.

On the other hand, leaving aside Real Life considerations, this has been a very challenging book for me to write. The main character is quite unlike any that I’ve written so far, and the focus of the story has shifted dramatically as I’ve been working on it. I think I’m trying to do more with this than I have with my previous books, and so I’m trying to take it easy on myself over how long it’s taken.

In any case, I think it’s in the home stretch now. I look forward to being able to share it with you.

That’s what I’ve got for this week. Thank you for reading.

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