Tag Archives: History

Books in Stories

The last couple days, I’ve been thinking about books.

(What a surprise, they said)

What I mean is, I’ve been thinking about books as objects, what those objects mean, and why they end up being in the story (rather than the story being in them) so often. This is largely because we’re finishing the programming for Can*Con 2017 (and, brief aside: I’m super excited about what we’re gonna have for you this fall, so you should really check it out) and one of the things I’ve been trying to do is get a panel on these kinds of ideas written up right so it can be on the list. I’ve been struggling to come up with the right way to sell the idea, so I’m sort of hoping that by writing this I can work through my ideas a bit and either save the panel for this year or at least be ready to make a better case for it next time around.

So, books. Obviously I appreciate them because I like to read, but I think my background as a historian is part of this too. Books, through the centuries, have had their uses, appearance, audiences, and status change tremendously. (And I say that really knowing only about the differences in European culture from the Romans forward. There’s tons out there I have no idea about.) They’ve gone from being the elitest of objects, costing a fortune to create and kept in the vault with other treasures, to being so disposable we abandon them, partly-read, in airport terminals.

It’s a misconception that books were ever just for religious subjects, and I’m not even sure it’s fair to say that the number of things we write books about has increased over the centuries; there were always works of fiction, works of science, volumes of history and all the rest of it. It is certainly true that the distribution of these various genres has shifted, a lot, and there’s also been a huge shift in who writes the books.

All of this is fascinating (to me anyway) but before I shift fully into Teacher Mode I guess I should also stop and acknowledge that none of it exactly explains why we have a lot of stories that feature books as important parts of the plot. I think it’s relatively easy to understand why, if you consider the book as an object as it was in the past, they would end up as vibrant parts of stories. They took months of labour and substantial expense to create. They were often accessed by a very limited number of people: in addition to Charlemagne keeping his books in his treasure vault, Domesday book was kept in a special chest with three different locks and the keys kept by three different people, so that no one person could ever access it alone. The city records I studied for my PhD dissertation were kept in an archive that, far from being open to all readers, kept out all but the carefully approved inner circle of government from consulting the books on the city’s history, and compilations of its law.

It isn’t hard to imagine why objects like that could become potent parts of a story, these elevated, exclusive, objects that held so many answers and so much information. Of course we must add to this that most people wouldn’t have been able to read the books even if they were allowed to access them, and the intrigue grows: a source of information and power that only a select few can comprehend. Our stereotypical magical tome is pretty close. And don’t forget, they were also frequently beautiful objects of visual art, intended to impress and delight a reader visually as well as through the text (or just someone who saw the book being used), and (can’t emphasize this enough) due to all this labour, impressively expensive.

(I would love to read a story about a quest for a book in a fantasy setting, not because it was magic or had the key to destroying the necromancer, but because it was worth a fortune)

The thing is that books have always also been intimate objects, as well as being these somewhat removed, elite objects. In the Middle Ages many people had special devotional volumes called Books of Hours that they would carry around with them throughout the day, to focus and inspire prayer, provide inspiration, and also impress people with your flashy l’il book. It’s hard to think of a more personal object than a book created specifically for one person, that they then carried with them all day every day.

(I am also probably about the billionth person to want to take the name ‘Book of Hours’ and twist it into a book that somehow controls time, or contains time)

Now, of course book ownership was an elite past-time at this point, but among book enthusiasts, they traded their books back and forth (sometimes with amusing marginal notes about the content), gave them as gifts and left them as bequests. There’s even a book that contains poems written in many different hands – it appears that when the family entertained visitors, they might write a favourite verse into this book, creating a volume that both collects poetry and serves as a memorial of friendship. (It’s kind of especially cool that analysts believe most of the hands are female) So books could be intensely personal objects, ways of forging and maintaining connections between people, at the same time as being Mysterious Tomes to many.

That aspect rarely comes across in fiction, and I think it would be cool to see more of it.

So I guess I think it’s easy to understand why books of the past were powerful symbols of knowledge and power (often restricted knowledge and power) and – as with a lot of things that are powerful and hard to understand – also potentially dangerous, and then show up in that role in a lot of fiction. It’s also true that (of course) there really were books on arcane lore and alchemy and spells and things so it’s not like the idea was invented for fiction.

Has the book, in its current, disposable form, lost this potency as a symbol? I know it hasn’t for me. I still love books, I love the physical act of reading and having a printed volume in my hand. I love the way a shelf of books looks, and one of the first things I will do in someone’s house (and this is probably not a great thing to admit) is to check out their bookshelf and see what’s on it. You can learn a surprising amount, or at least I think I can. So books-as-objects continue to have power to me, beyond their content, even though the symbolism is generally one of relaxation, comfort and rather more benevolent knowledge.

However, just as people who were literate were a minority in the past, I suspect people who continue to love books are a shrinking minority today, with the proliferation of electronic media, both e-books and reading on the internet. Perhaps that means that books, which were briefly (in a historical sense) ubiquitous and commonplace in Western society, are on a journey back to being unusual curiosities, and perhaps returning to the symbolic territory they used to occupy.

That’s quite rambly, and I think I’ll stop it here for this week.

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It is one hundred years since the battle of Vimy Ridge, much celebrated here in Canada. Today in particular there will be commemorations and a great deal said and written about it all. Since I studied history, teach it, and write about it from time to time, I feel as though I should have something to say as well, although it’s a more difficult question for me than it appears to be for some.

I think there are a lot of valid questions to be asked about the reasons why the First World War was fought, and about Canada’s involvement in it in particular. The loss of life was such that the numbers sometimes fail to make an impression; they’re just too big to make sense. Vimy Ridge was a typically bloody engagement; the assaulting forces lost 3,598 soldiers killed and 7,004 more wounded, in three days fighting. Bloodshed on that scale demands an answer: was it necessary, was the cause just and right, and I think it is a very difficult answer to give. If we look for a ‘just war’ it is hard to make World War One fit that mould, but Canada was asked to fight, and Canadians were asked to fight, and so they went and fought as they were asked to do. By all accounts they did it well.

Vimy was the first battle where the four Canadian divisions fought together as a formation. As a result it is labelled by some the time when Canada ‘became a nation’, although this seems to me deeply problematic, not least for its dismissal of the thousands of years worth of people who lived in this place we call home up until that point. Significant politically and militarily the battle may perhaps have been, but there was surely a nation, and nations, here before that. The military, and military history, has often been an interest of mine, but still I am uncomfortable with the idea that our nation, or any nation, is defined by its battles. I like to think that Canada has different roots than that. In any case there was already a Canada that the men who ended up on Vimy Ridge felt strongly enough about to go off to war, so I wonder whether they would have agreed that there was no nation until after that battle.

However that all may be, the battle has been much mythologized in Canada, and like most myths a healthy dose of fiction is added to the story. Vimy becomes, it seems, more glorious the further we get away from the bloody quagmired truth of the battlefield which far too many would never leave. However we may embroider the events of those days, the military historians tell us that the Canadian success was part of an overall strategy that failed, that the 10,000 lives and more shattered taking the ridge did not lead to a stunning breakthrough, and the war ground remorselessly on. Does that make the courage and sacrifice of the men who went and fought the slightest bit less? I feel it does not, and yet in taking the battle and making it part of our national myth I suppose we insist upon more gilded version.

The main thing I am left with regarding Vimy, and World War One in general, is that these young men went where their country asked them to go and went into the worst kind of peril as a result of that. They did the job they were asked to do and, in the case of Vimy Ridge, did it successfully and well. We can, then and more recently, question the motives of the men who asked those things of them, but not, I think, the response. They made that choice for many reasons, as soldiers I suppose always do, and even if I wonder whether they needed to go and fight, when their country asked something of them their answer was ‘yes’ and that is an answer I will always honour deeply.

It seems to me important for leaders today to remember that there are men and women who, when their country asks them to do something, will go and give their heart’s blood trying to do it. If the cause be just, then both the decision and the results may be a thing that we can look upon and know that it was necessary and right. Even if we cannot take satisfaction in it, exactly, we can know that it was important and that our young people did what needed to be done. But our leaders must not ask these things of them lightly because if history is any guide, when the country asks those young people to go into danger on its behalf there will always be a courageous number who will answer ‘yes’ and we cannot take that answer unless we are absolutely certain of its dire necessity. It is too tragic to contemplate that sacrifice if it is not absolutely unavoidable.

One hundred years ago, young Canadians made their assault on Vimy Ridge. They fought well, they did what was asked of them, and all too many spilled their blood because of it.

We shall remember them.

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I don’t put very much political content up here because I know that is not what most of the people who come to read this thing are here for.  This is an exception.

The other day I was watching an old Doctor Who episode, ‘Horror of Fang Rock’, which is my favorite, in part because my favorite companion, Leela is such a tremendous badass in it.  There’s a point where things are going badly where she says ‘The creature has got into the lighthouse.  Now we must fight for our lives.’

I thought of that this morning.

I see a lot of ‘you’re worrrying too much’ and ‘oh well’ posted around already and I wish I could feel that way. I have friends in the U.S. who have to worry because their rights are about to come under attack. If you think it won’t happen you didn’t pay very much attention to what the man and his supporters have been saying.  If you’re black, or Muslim, or LGBTQ, or a woman in America, if you’re an immigrant, your new leader made a bunch of promises to do awful things to you, and your country told him to go ahead.

This isn’t just ‘Oh Bush won instead of Gore’ or even ‘Well Harper instead of Ignatieff’, where the government is going to make a bunch of decisions you won’t like but life will be more or less the same.  If the new president does even half the things he said he would do America will not be the same.  I know politicians make promises and don’t keep them all the time.  Most of the time, the promises are not like this.  He has promised deportation forces and punishment for abortions and things I thought I would never hear any serious political candidate say.  For a historian, the parallels are as obvious as they are chilling and I hope I will be as wrong about them as all the pollsters were in the run up to last night.

I find it genuinely scary, and I don’t have to live there.  If you’re horrified like I am, though, now is not the time to give up on the things we believe are true.  There are people who are really in danger and we need to help them however we can.  We need to push twice as hard for the causes we think are right and be as unapologetic about it as this guy who was backed by the KKK just was.  I still believe what Jack Layton said, that love is stronger than hate, but love has to be strong to win.  Hate evidently is.

As much as I can, I’m gonna be there for people who are scared and don’t feel safe under this new reality that has dropped on them.  I don’t know how much help I can be, but I’m gonna try.  If you’re upset about America’s new president, please try to do the same.  People really are going to need it.

I’m profoundly grateful to live in Canada, with the awareness that we’re far from immune from the hate. If we really like our (relatively) progressive society, “It is time for us to fight”.

I’m in.

(For the little bit it’s worth, Leela’s ‘Finished! I did it.’ after the monster is killed is a scene I am also trying to keep in mind this morning)
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Out of Order

Last week I had a talk with a friend about writing that I decided to expand into this blog entry. I think I’ve written a bit on some of this before but maybe not in very much detail. I’m a bit hesitant to give advice on writing because I’m far from a master of the craft but I feel all right sharing what has worked for me. Perhaps it will work for someone else as well.

As I know I have said at least a few times on here, I am a big proponent of writing things out of order, basically no matter what it is you happen to be writing. I see no particular need to start at the beginning and write through to the end and in fact, a lot of the time I think that’s detrimental. Start with the bit you’re excited to write, right now, and work from there.

For one thing, I find beginnings immensely hard. You don’t have to do very much research into ‘how to write’ to find lots of people expounding on the importance of your opening line and first few paragraphs (no matter what it is you’re writing, again) and that can be a lot of pressure right out of the gate. You can sit there trying to come up with something that is ‘just right’ for a very long time. Lots of writers have also commented on the intimidation of the blank page, so I think the important thing is to get something down. Break that inertia and get moving.

So I tend to write whatever parts of the piece I feel ready to write or excited about, and then fill in the holes later. I think I wrote the ending of The King in Darkness before I wrote anything else. I think this is, in general, the best way to get started with whatever it is you’re trying to write: if there’s a scene you know just what to do with, or an anecdote that you want to tell, or whatever it is, write that bit immediately. You can figure out how to get there, and where to go from there, afterwards.

Even if you just end up writing a piece of a story (or poem, or whatever else) that you don’t know what to do with, that ain’t bad. First of all, you wrote something, which is always good. I feel that every bit of writing you do makes you better at it. Second, even if you don’t know what to do with it now, you can tuck it away for now and perhaps discover a home for it down the road. For now, you got something down on paper, broke the inertia of not knowing how to get started, and gave yourself a chance to stretch those writing muscles a bit.

Now, not everyone will agree with this. There are many proponents of planning everything carefully before you start to write and writing in order from beginning to end. I know I horrified at least one faculty member when I was doing my PhD by mentioning that I was writing chapters of the thesis before doing the Introduction. They just couldn’t understand how it was possible to do it. I guess, internally, I had a vague idea of what would be in my Introduction, just as a I have a vague idea of what will go at the beginning of every story I start writing, but I wasn’t ready to write it yet, so I went ahead with a part that I was fired up about. They really looked alarmed when I said I would probably write the Introduction last.

Which I did.

In general I think the only way you make progress at writing and get better at it is to just do it. Get some words down on the page, whatever words are ready to come. Don’t kill yourself over the parts that aren’t flowing yet; you can do that later. But write. Write what you’re excited about and passionate about and what you think is cool. Have people whose opinions you respect read it and tell you what they think. That’s how you’ll get better at it. One of the wonderful things about writing in this electronic era is that you can always change it later. There’s (almost) no cost to going ahead and trying out what’s in your head. It may be great. It may need some work. It may end up being adaptable to some other purpose later. There’s one really good way to find out. Write it.

Writing out of order may not work at all for some people and so I don’t pretend to have found The Answer to writing. It does work for me. If you’re feeling intimidated with starting a project or struggling to know how and where to begin, though, perhaps give beginning anywhere a try. Just start. It gets rolling from there.


I was saddened this weekend to see that the actor Nigel Terry had passed away. As I said on my Facebook page, I loved his Prince John in The Lion in Winter, an absolute delight of a movie that you absolutely should not watch the remake of. However, it was his King Arthur in Excalibur that I particularly have affection for; it is my favourite Arthurian film and one I never seem to get tired of watching.

Some of that is Nicol Williamson’s Merlin, which was a fantastic performance, but I truly do love the whole movie. The first time I watched it, in my teens, I didn’t quite – I thought it was a bit daft and silly in parts, although I liked it overall. However, what happened was that the more I learned about the Arthur stories, the more I liked it and the more I think Excalibur is about the perfect movie representation of them.

Of course it’s not the slightest bit ‘realistic’. Lancelot rides around in chrome armour, the sets are generally insane and there is a great deal of yelling. But, of course again, that’s exactly what the Arthur stories are like! They’re full of crazy things happening and over the top situations and absolute lunacy happening every thirty seconds. That’s why they’re wonderful.

No, of course knights (we’ll come back to this!) ‘in the time of King Arthur’ (whenever that was) would not have dressed anything like they do in the film – but in the stories they are armed and armoured and behave like 12th century knights, which is also completely mad, but no-one cared. I am completely convinced that medieval audiences were perfectly aware that people in the 9th century didn’t act or dress like they did, but it was an awesome story that (to them) also taught important lessons and so they didn’t worry about it.

That’s essentially what I think we need to do with the Arthur tales as well. The idea of telling the ‘real’ story or a ‘realistic’ take on Arthur is, to me, completely wrong-headed. It’s not what we want. I haven’t researched the question extensively, but from the reading I have done it seems relatively likely that there is, somewhere, a kernel of truth at the core of the Arthur stories. If you could somehow sift down through all of it, there probably was, at some time, a real leader in war who inspired the tales that have been rewritten and expanded and revised ever since, down through the centuries. Maybe it would even be a warlord from 9th century Britain, although maybe not entirely, if the Celtic mythological connections hold water.

The thing is that even if we found this figure, it wouldn’t be what we’re looking for, not really. There wouldn’t be ‘knights’ in the sense we think of them – that’s at least 200 years away. There wouldn’t be Lancelot, who was a 12th century addition. There would be no Grail quest, which also came in during the 12th century renaissance. It simply wouldn’t be the story we love, although as a historian I don’t doubt it would be interesting in its own right.

But the Arthur stories as most of us today love them are gloriously anachronistic, full of absolutely bonkers events like cannibal giants and blows that lay waste to huge swaths of countryside and invisible knights. It’s not realistic. Not even a little. But it’s wonderful. Just enjoy it.

That’s what they did when they made Excalibur; they just embraced the wonderful craziness of the Arthur stories and threw it up on the screen. It doesn’t actually have a cannibal giant or an invisible knight but it has Excalibur cleaving through steel and shapeshifting and Patrick Stewart screaming at the top of his lungs. It’s glorious. Nigel Terry did a great job as a (I feel) slightly baffled King Arthur and the whole thing works perfectly to me. I love the film for not caring in the slightest about what is realistic, but caring what made a spectacular tale. So thank you, Mr. Terry, for your contribution in bringing that to life.

May all our tales be just as amazing and spectacular.


Meanwhile personally I am breaking the ice on my new project by taking my own advice from the start of this entry and writing the bits of it that I’m ready to write and not flailing away at the part I’m finding difficult. This means I have made some progress, but doesn’t get me any closer to the next piece being ready for Eager Volunteers. Hopefully it’ll be worth it in the end.

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