My thoughts on Andor, Season 2

Some time ago now, a friend of mine tapped out partway through Season 2 of Andor and I said I’d tell them what I thought about it. As per usual for me these days, this has Taken Some Time. But I have just done a rewatch of the whole thing and so: here is what I think about Andor, season 2.

(If it wasn’t immediately clear, there’s gonna be spoilers throughout.)

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You’re still here. Delightful. So, first for overall: having seen the whole thing (again), I think Andor is the best piece of Star Wars TV (I guess we still call it that) by some distance, and the best piece of Star Wars we’ve had in some time. I think it’s one of the best SF shows we’ve had in some time. If I redid my top 10 shows of all time, I’d have to get it on the list there somewhere.

AND YET. It also seems to me that Season 2 is not quite as strong as Season 1, perhaps inevitably. Tony Gilroy was taking what had originally been a 4 year plan and making it into something that could be done in a single season. I think in the Season 2 we got, you can see the skeleton of the larger story that was going to be told. I guess I regret not getting the original plan, although I also entirely understand the decision not to invest the years into the show that it would have taken for the writers and cast. I would also always rather than a TV show or a book series or whatever stop while it is still good rather than grinding on until it gets shit.

In my opinion, Andor is good right up to the last scene.

So what you get in Season 2 are 4 mini-arcs that broad brush the story of the growth and consolidation of the Alliance against the Empire and fills in the stories of at least most of our major characters. The picture of fascism and all the harms it causes continues to be excellent, and topical; the various casual brutalities of the Imperial audit team on Mina-Rau would seem like it must have been inspired by ICE raids if it hadn’t been written before them.

There are some pacing issues where at times you might at least wonder about how much time was devoted to particular things within those arcs, but to me those are more quibbles than anything and I felt throughout not so much ‘that part got too much time’ as ‘I wish we had gotten more about-’. So yes, the compression hurts the story some, probably inevitably, although I think they did about as good a job as could be expected of collapsing 4 seasons worth of stuff into one.

We don’t meet at lot of new people, and the new characters we do meet don’t get nearly as much depth as the Season 1 ones do, because they just don’t have a lot of time on stage. This does mean that, especially as the season progresses and we start to lose characters, that the spotlight kind of continually shrinks, or our focus gets tighter and tighter on Andor himself. Which is probably appropriate, but while there’s a bunch of characters from Season 1 that were memorable, Season 2 doesn’t really bring that.

Ok so this also gets me to the reason my friend tapped out on Season 2 and what I think is a genuine point of concern with the story. In our second chunk of the season, veteran partisans Vel and Cinta are sent to the planet Ghorman to work with an insurgent group there. (No need to unspool all the various reasons why here) In the course of which, Cinta is accidentally killed during an operation.

Vel and Cinta were (and remain throughout) the only clearly queer characters in the whole show. There are other characters that I think are possible to read as queer, but that’s not the same. Her death, especially coming as it does just after the two women have reconciled their issues and committed to prioritize their relationship and their happiness over the demands of spymaster Luthen Rael and his organization, definitely rings the Bury Your Gays bell.

I understand why the arc was written the way that it was. One of the themes of Season 2 is the cost of rebellion, paid in various ways by almost every character that joins the uprising. Cinta gives her life to the cause. I think that it was far from a heroic death – accidental, stupid – is also important. Not everyone who dies in a war gets to die doing something amazing. Clearly this was supposed to be one that *hurt*, and when you look at the options that had already been created for potential casualties here, there just isn’t anyone that a) can die at that stage of the narrative and b) would hit as hard as one of Vel or Cinta. (Could you create a new character to be the casualty? Absolutely you could, although a new person, especially a really likeable new person, arriving in the middle of the story is an absolute ‘this person is dead’ signal for veteran consumers.) And I think obviously writers have to be free to have LGBTQ+ characters die.

AND YET. The solution here, if you don’t want to fall into that Bury Your Gays pit that definitely upsets a lot of people in the audience (full disclosure: as soon as we hit that scene I knew what my friend’s problem with the show was) is to include more queer characters, so that if you do ‘need’ to kill one of them off, you’re not killing off one of the only ones, or ending the only queer relationship in heartbreak. Granted there are a lot of unhappy endings in Andor, but a slightly richer tapestry from the outset would have avoided this issue – I think. (As always I recognize that I am out of my lane commenting on this, but this is what I think)

So it’s a significant problem for a significant part of the potential audience. Is it enough to blow up the whole thing? I think all that I can say is that it wasn’t for me – but that’s also easy for me to say.

The second half of Season 2 focuses on the transition of the rebellion from a covert insurgency to something that looks like a military, and something that includes political leadership. There’s a lot about the difficulty of bringing people with different ideals and different ideas about tactics into the same fold that still seems incredibly topical. I find the decisions that different characters make to pay different kinds of prices because resistance to fascism is essential inspirational, and for me it left me feeling that the sacrifices made had all clearly been worth it, because now there was an army ready to fight for freedom.

It does all tie in nearly seamlessly with the beginning of Rogue One, bittersweet though that is for the destiny of Cassian Andor in particular. Season 2 does show us his complete transformation into the ‘unstoppable force for good’ his mother predicted, and he walks off at the end of the final episode looking like an absolute badass.

So. Personally, I love Andor. I think it’s (deliberately) particular relevant to our current moment, I think it’s a great Star Wars story, or series of them. I adopted part of Karis Nemik’s manifesto – Remember This: Try – as one of my war cries during my recovery from heart surgery and mental illness. ‘Oppression is the mask of fear’ may be one of the best lines from recent SF.

There are flaws, especially in Season 2. I think it’s worth the whole ride, but I also get why some people would disagree. On the whole it is a story about courageous people committing to resist evil, and also a picture of the people who do evil things. The message is that no matter the scale of the enemy, resistance is possible, victory can be won, if we commit to the struggle. That’s something we all need to hear these days.

Should my friend watch the rest of Season 2? Not sure, honestly. Queer representation is not great throughout and I’m not sure that was really an issue that was a priority for the showrunners. You’re under no obligation to watch things or read things or play things that hurt you. There’s lots of things. There’s lots of places to get good messages and things that will inspire you.

We can like different things and still understand each other. Despite the best efforts of another of my friends, I still haven’t watched K-Pop Demon Hunters. We still get along.

I try to choose the stories I experience and the artists I support with a decent amount of care. There’s *so much* out there, there’s absolutely no need to give your incredibly precious time to anything that doesn’t delight you, whether it happens to be popular or considered Important or not. Anyone saying different can safely be thrown overboard.

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Quick update on my books for anyone wondering: Things are in motion, kind of. My plan is to get Easter Pinkerton and the Case of the Heretic Blood available in self-pub first as I don’t think it needs a revision pass. I have started work on that (new cover art is coming!) and perhaps it will be ready this fall.

I am also working on the sequel, which will also be self-pub (obviously) and will hopefully arrive not too terribly long after book 1.

I do want to get the Adam Godwinson books available again as well, but I think I’d like to give the text of those a little more attention before doing so. So that’s down the road a little, though still very much in the plans.

Beyond that, I’m not sure. I have a couple other ‘in progress’ projects that deserve to be finished and that I could then find a home for, possibly. Or maybe I’ll stick with this self-pub thing once I get the hang of it. I love to write, and I want to share my stories, and I guess I haven’t entirely decided on what to aim at beyond that.

More later, perhaps. How much later is, well, in flux.

Thank you for reading as always.

Sorry about the wait, my friend. You deserve better.

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The Future

As you will probably have seen (from me or elsewhere), the small press that published my books has taken the difficult decision to shut down. I’ve never been involved in the running of the press but I know these things are an immense amount of work and that they will not have taken this step lightly. I’ll always be grateful to Renaissance for putting my stories in print and letting people enjoy them.

As I write this I believe the books are still available in e-book format, but this will end quite soon, which leaves me with the question of what to do next.

The rights of all three books will shortly revert to me. I’ve already decided that I would like to find a way to make them available to readers as I work on something new. Since it’s very difficult, if not impossible, to interest publishers in works that have already been in print elsewhere, this means I need to learn about the wide world of self pub.

This is going to take some time. My plan right now is to work through the summer on getting ‘Easter Pinkerton and the Case of the Heretic Blood’ available. Then, depending how that goes I can work on the two Adam Godwinson books, which may get a light rewrite in places. There’s a lot for me to learn, but I have some knowledgeable help and I feel like this is doable.

For everyone who has ever read my stuff, I appreciate your support very much. I am going to keep telling stories, and to work on getting the ones I’ve already written accessible just as soon as possible.

Thanks for reading!

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Operation Starfish

Students of history will already know that we have distressingly few specific details about events such as those which I attempt to describe here. This is all the more frustrating when we know the importance of incidents such as the one that came to be known as ‘Operation Starfish’ to Canadian history.

For the first time, I have attempted to reconstruct this series of events based on archival documents and interviews with surviving witnesses. Where possible, I have verified particulars with corroborating sources, and the result has been what I believe to be a uniquely complete narrative of this remarkable moment in our history. However, at the same time, I hope the reader will understand and forgive that this necessarily involves a certain amount of inference and even conjecture on the writer’s part. In such cases I have attempted to indicate what is known and what is only very probable.

Here, then, is the story of these desperate and dangerous hours, as it was told to me directly by those who were there, and through the stories of those who survive only in fragmentary record.

0400, 16 January, 22 days after the launch of Operation Sovereign Eagle

Even the time above is an estimation; we truly know only that Captain Rohan Currie roused his command very early that morning, that it was still full dark, and that he ordered some of the last of the coffee brewed because of the early hour and the deep cold. There would have been the inevitable resigned grumbling of soldiers, but also a building excitement – when resources are scarce, a commander commits them only when it is important.

Currie liked his coffee, although not unreservedly. “In the mess, on manoeuvres, wherever, there was almost always something not quite right about it,” remembers Sgt. Eric Burgoine, part of Currie’s company throughout the events covered here. “Not the same as Mom’s. But always in a way that made the boys laugh, and in the end he always drank it anyway.” The stories told by Currie’s men suggest this is a fair metaphor for his style of command – he had high standards, but he loved the soldiers under his orders regardless of their flaws.

On that morning most of those soldiers would still have been elements of the 1st Battalion of the Royal Canadian Regiment, mostly Currie’s own company. However, his unit had already begun to collect various lost sheep: we can confirm at least eight from the Queen’s Own Rifles, a trio of combat engineers from the 34th, two 48th Highlanders rescued from an abandoned field hospital, and the Bison APC officially belonged to the Sherbrooke Hussars.

Under normal circumstances, all these men should have gone back to their proper places, but on that day no-one could say where those were right now, or even which units were still fighting. Eleven days after the invasion, every person in Currie’s camp had waited through long silent hours, waiting for word from the various places that orders, direction, and the sense of a plan were supposed to be given by. The words that eventually came were few: “Good luck. You’re on you’re own.” It was repeated in French.

After three weeks of action, therefore, most observers considered that the Canadian army – fragmented, bloodied, and scatteed – was well-beaten. Many survivors of the early stages of Sovereign Eagle had headed for home or tried to disappear, but here and there were some few still willing to contest the assertion that the war was already over. It was for that reason that Rohan Currie had his men up before the sun, getting ready to fight.

***

In those most desperate weeks, Currie’s plan for the day would have been just to find a way to survive: evade capture, avoid the annihilation of his tiny command, scrounge and scavenge for supplies and information that might enable them to take some kind of meaningful action against their country’s invaders. Information was a precious commodity during this time – cut off from any significant command structure, sometimes unsure if they were the only unit left fighting. Currie’s men needed purpose, and so it was as much a part of the morning ritual for him to ask if there was ‘anything on the radio’ as it was to brew the coffee.

“He really meant ‘anything we could use’,” recalls Cpl. Savita Palumbo, who took most of the shifts on comms. “There was always something, but most of it was bullshit or stuff we couldn’t do anything about.” Rumours inevitably abounded, many of them contradictory, most of them useless: The Prime Minister was dead. The Prime Minister had escaped to Scotland and established a Government-in-Exile. A NATO rapid response force would shortly land in New Brunswick. Canada’s membership in NATO would be revoked to prevent a wider conflict with the United States. The city of Windsor would be entirely emptied as a border security measure.

“The hard part was not getting too sad or pissed off trying to sort through it. It was fuckin’ endless, voices everywhere, most of which you had to ignore. Guys surrounded by a Yank battalion outside of Peterborough -” Even years later, she pauses in the retelling, shrugs in the end. “What could you do?” The reason to keep trying was that every so often there was something that should not be ignored. One morning, Palumbo received a repeated alphanumeric code on a military frequency. Their precious codebook listed it as valid, but without any indication as to what it represented. Currie had diverted the unit to investigate, and this had led them to David Prentiss.

By this time Currie’s troop numbered something like 120 effectives, including the hangers-on who were not, formally, in the army at all. Almost as soon as US troops had poured across the borders of Alberta, Ontario, and Quebec, his unit had started to attract ‘volunteers’. Some were reservists or ostensibly retired military who took it upon themselves to join the fight. Currie made them welcome, since they brought with them various levels of experience and, in some cases, equipment.

Jay Argo, who had left the Armed Forces after a deployment in Haiti, explains his decision this way. “There was no fuckin’ way I was going to sit on the couch waiting to get arrested or whatever. Everyone thinks at least a little about the ‘fighting for the country’ shit when they join up, you know? This just seemed like it was finally the actual time.” Argo would go on to fight with Currie’s troop throughout the occupation, and was eventually awarded the Medal of Military Valour, despite officially holding no rank at all.

Other volunteers were pure civilians, and their utility was highly variable. Medical training, survival skills, experience as hunters – all these could be put to use. Some were simply enthusiastic or desperate, with nothing that would help them survive a grindingly brutal fight in the winter. As gently as possibly, Currie turned most of these away. “We still thought of ourselves as a fighting force, not a refugee camp,” explains Sgt. Burgoine. “We were always low on everything – food, fuel, bullets – and as bad as it sounds if we were going to take you on you had to pull weight somehow. We did our best for people who we couldn’t take on, direct ‘em to somewhere safe or whatever, but … it wasn’t a great time.”

It also wasn’t immediately clear, to anyone, which category David Prentiss fell into. He had sent the transmission Cpl. Palumbo had homed in on, but was also not obviously military; they found him dressed in winter gear that seemed to have come from a Mountain Equipment Co-op rather than an Armed Forces quartermaster and he never claimed any rank or offered any identification beyond a strange piece of government ID with his name, a thumbprint, and an ‘afford the bearer all possible assistance’ message on it.

Prentiss also carried a 9 millimetre Glock and claimed to have important information that would be of use to Captain Currie. He began by leading them to a supply cache hidden in a sewage pumping station that had replenished their stock of MREs, field dressings, and 5.56mm bullets. From then on, most of the unit concluded the new arrival was ‘something on the spooky side’, and Currie began to include the rather abrupt and supremely confident little man in his planning sessions. Confidence would have been as precious a commodity as information to soldiers so thoroughly abandoned in the chaos of the invasion.

It was information shared by Prentiss in one of these conversations that led to ‘Operation Starfish’. The source of Prentiss’ intelligence was unclear then and is unclear now; Cpl. Palumbo remembers him spending long hours listening to apparently meaningless strings of numbers on various radio frequencies, and he would sometimes send or receive texts on a collection of cheap looking flip phones, which often then went straight into a snowbank or under the tires of the Bison. Most of the time, whatever Prentiss was doing, whoever he was communicating with, turned into suggestions that also tended to pan out in some fashion.

Most recently, Prentiss predicted that a US Air Force convoy was making its way from Ottawa to the presumably-not-operational CFB North Bay, carrying equipment that would help convert the formed NORAD centre into a command and control centre for the US occupation. Given the predictability of the route and the importance of the material being transported, and given that Currie’s unit was already in the area, the suggestion was to interdict it.

Sgt. Burgoine and Cpl. Palumbo remember the final planning session well. Currie and sent a patrol out in the night to scout and prepare the proposed ambush site, and now this fresh information needed to be combined with the broader picture provided by Prentiss.

“Do we know exactly how many vehicles?”, Currie wanted to know.

“Not precisely.” This from David Prentiss. “No need to expect armour, but likely to be weapons on some of the Humvees. The target vehicles will be in the middle of the convoy.”

“Ok. Jowett, what’s it look like down there?” Cpl. Stephen Jowett had led the night’s patrol.

“First off, that road is narrow. Two lanes, but like no shoulder, either side. Then on the east, it drops off pretty straight down to the river. Like, you could climb down in places, but you’re not taking a vehicle.”

“Other side?”

“Steep as fuck hill. Like, trees, but mostly rock. You’re not driving up it. Maybe an ATV in some places.”

“Good. So: mine for the first vehicle. Beaudry, where are we on that?”

“I’ve got something that should go bang, Cap.” Sophia Beaudry was a combat engineer who should not have been under Currie’s command. They had encountered her in the chaos of the retreat from Pembroke; the civilians she had been with had stayed behind but Beaudry had been eager to get back in the fight. Her skills with how to effectively make large things into small pieces had been a godsend. “I set it up in a culvert, standard remote detonator. It’ll take out anything that’s not an MBT and might knock the tracks off of one of those.”

“Outstanding. Hard to say how spread out they’ll be so we’ll have to rocket the one in the back. Then they’ve got nowhere to go and we can hose down the rest of them.” Of course the engagement could turn into quite a firefight depending on how many combat personnel the American convoy included, and how well they reacted to ambush, but this was a moment where Currie had to appear decisive, calm, and confident about how the engagement would go.

“We’re at, uhh, six rounds left for Carl G and five of the LAWs, Captain.” Master Corporal Bilodeau kept track of most what could be shot, fired, or detonated in the troop’s possession. The ‘Carl Gustav’ recoilless rifle was the superior weapon against vehicles but it probably wouldn’t be needed to take out anything driving in a convoy. The LAWs were disposable weapons and at this point had mostly been disposed of.

“Carl G gets the day off. Hopefully we’ll have something on a resupply soon. Everything else, we’ve got ‘em to use ‘em. Questions?”

“What if,” Jowett asked hesitantly, “they don’t end up coming this way at all?”

“They basically have to,” Currie explained, not for the first time. “Between Ottawa and where they’re going, this is the only road unless they go … way the fuck out of their way.”

“And they were in Chalk River last night,” Prentiss said. “They’re coming through here.” This was the kind of information that tended to mystify Currie and his soldiers. Palumbo just shrugged at the questioning glances that went her way.

“Ok, so, forward observation point a couple klicks up the road towards the town,” Currie said. “Everyone else, minus one squad to secure the camp deploys along the road.” He did not need to specify that it would be the non-military irregulars who would not be asked to directly engage with the enemy. “Uh, I want Argo at the observation point; if they get cut off he won’t get lost in the woods.” The veteran had grown up in this part of the province and was used to navigating in the bush after moose or deer. “Anything else?”

“We don’t think there will be drone overflight,” Prentiss said. The precise nature of that ‘we’ was a topic of frequent, idle speculation on night picquet duties. Obviously a high flying drone, armed with Hellfire missiles, could change the balance of Currie’s proposed engagement in a hurry. There was also not very much his troop could do about it, and Burgoine recalls wishing the idea hadn’t been mentioned. In these circumstances morale could hardly be anything other than fragile, and if a slide into hopelessness started, it might be impossible to stop.

“If things start to go sideways, we’ll scoot into the woods like we always do and regroup at the rally point,” Currie said calmly. A retreat under fire through rough terrain in the winter would be far from a straightforward proposition, but Currie was certainly not going to admit that. “Now, lets get squared away to kill some Yankees, yes?

“Fuck yes, Cap,” Bilodeau agreed enthusiastically.

***

It was still fully dark by the time Currie’s soldiers were strung out along the slope, overlooking a narrow, partly snowed-over Eastern Ontario road that only the locals would really consider a ‘highway’. It was cold, but excitement and anticipation would have meant most of them weren’t noticing. Weapons had been checked, re-checked, and checked a third time. The jokes had all been told, giggling and chuckling quietly in the pitch black. Now they waited, mostly in silence, hoping that the convoy would arrive soon, and that it would never arrive.

No word came from the forward observation post until the eastern sky had started to lighten. Many of the Americans deployed during Sovereign Eagle were from the southern parts of their country and icy, snowy roads were among the many things they found difficult about a campaign in a Canadian winter. As a result, they tended not to drive in the dark. This was an endless source of derision and grim merriment among forces like Currie’s troop.

Finally, Palumbo’s radio came to life.

“Nilan, this is Odjick.” Currie’s company had to assume that all their communications were being intercepted by their enemy, and they did not have access to any kind of meaningful encryption gear. For this reason, when they were separated, each squad in Currie’s company referred to itself with the name of an NHL enforcer. It was considered that most American listeners would fail to recognize what was going on. “Rush.”

Elements of any given operation were referred to only by codewords that had no significance beyond pre-arranged meanings. In this case, various Canadian bands would indicate different developments on the battlefield and what actions should be taken next. ‘Rush’ was the signal that the convoy had been sighted. ‘Loverboy’ would indicate the unexpected presence of enemy air assets. “I think Pte. Rockfort wanted to use ‘Nickelback’ to mean abort mission and fall back,” Sgt. Burgoine remembered. “But the Captain said even the Americans would probably figure that one out.” It was considered unlikely that any American could try spoofing these kind of transmissions without quickly giving themselves away.

“Rush,” Jay Argo’s voice repeated. “And. Cohen.”

‘Cohen’ was the signal that there was a complication of some sort that was not otherwise covered by one of their arranged codewords. Currie’s fire team, at least somewhat forewarned now, would have to wait and see what was coming up the road towards them.

“Acknowledge, Odjick,” Palumbo replied. “Vanelli.” This directed the forward observation squad to head for the rally point. They were too far away to join with the main body of Currie’s troop unless there was a seriously prolonged engagement, and if that happened, it would be better for them not to join up at all. Everyone understood that their force could survive only through a hit-and-run style and were under no illusions about their ability to withstand sustained contact with the invaders. Many had seen how that played out at Pembroke.

“What the shit is going on?”, Cpl. Jowett wanted to know.

“We’ll find out in a minute.” Currie sounded bored, like he was discussing the weather with a fellow passenger on the bus. “Why don’t you get up on that rock cut with some binoculars so you can tell us.” Jowett prowled off to obey. “Beaudry, ready?”

“Aye, Captain.” Currie had given up telling her that they were not in the fucking Navy.

“LAW ready?”

“Ready, cap.” Bilodeau, who liked a good explosion, had of course made sure to be the one launching the rocket at the rear of the convoy.

“And now we wait.”

***

It was only a few minutes before Jowett called urgently from his perch. “Cap, there’s … school buses. Four, no, five of ‘em. Middle of the convoy.”

“School buses, the fuck?” Palumbo was as confused as the rest of them.

“Six Hummers, coupla vans, some kind of shitty APC.” Jowett finished his assessment. “Could be a lot of guys.”

“Mr. Prentiss, why are there school buses?,” Currie demanded. There was no immediate answer.

“Captain,” Beaudry said instead, “It’s got to be people going to the camps.”

“Fuck.” This was not said in disagreement.

Almost immediately after the invasion, American forces had started to seize control of infrastructure and especially the petroleum and mineral resources that were part of the justification for Sovereign Eagle. Just as immediately, they had started to track down and arrest ‘anti-American’ and ‘subversive’ elements in the Canadian population, most of whom were quickly transported to rapidly constructed prison facilities in remote areas. Pre-war American strategy considered that these detentions and the intimidation they would create would considerably reduce the extent of popular resistance to the annexation.

It was not hard to predict who the targets of these arrests would be. Certain politicians, of course, some figures in the media, but the scope broadened with great rapidity. Anyone brown, black, or yellow. Anyone queer. Anyone with a name that didn’t sound very Christian. None of these were people included in the America for Americans, so it was best to get rid of them now. There wasn’t enough military transport to move them all, so the invaders had quickly started to use anything that could transport large groups of people. Very often, this turned out to be the ubiquitous yellow school bus.

Currie had only the fleetingest shard of a moment to decide what to do; the convoy could only travel at the speed of an old school bus on a partly snow-covered road, and thus not very fast, but it was practically on top of them now and the decision had to be made before the lead vehicle reached Beaudry’s IED.

Given how vividly he recalls the rest of that day, I suspect Sgt. Burgoine remembers exactly who asked a question into that moment, even if he declines to give the name. “Cap, this looks kinda shady, does this convoy really fucking matter?” Whoever it was, they were not entirely wrong: the Humvees were all mounted with various weapon systems and surprise or no, an attack on the convoy promised to be bloody. The wider strategic significance of a single convoy, even if it was carrying the comms gear Prentiss predicated, was at best questionable. Did it matter enough to die for?

The identify of the person who asked that question matters less than Currie’s reply. “Soldier, didn’t your auntie tell you the story about the starfish on the beach?”

Before he could explain, Beaudry said happily, “It matters to these ones.”

“Truth. Sophia, blow that mine on your own time.” There was heartbeat’s pause, and then a gut-punch explosion that shook the trees free of their snowy burdens. The lead Humvee, meanwhile, was turned into a flaming mound of wreckage that almost entirely blocked the road. The one following it swerved and crashed into a newly created crater and was also immobilized. Without needing to be prompted, Bilodeau fired their LAW at the rear vehicle, knocking it out of action. Cpl. Palumbo is pretty sure she heard Bilodeau say ‘yay’ just before they fired.

***

Rohan Currie’s company lost 12 soldiers in the attack on what became known as the ‘Starfish Convoy’, plus several too badly wounded to travel with their comrades. They were concealed by the local population throughout the American investigation that followed, a complicated and entirely improvised covert operation that deserves its own story-telling. American records indicate that the troops in the convoy were killed almost to a man, although some of the dead must include those who were wounded and either froze or bled to death before the next US units arrived. Members of Currie’s troop remember that a small number also escaped down the breakneck slope on the eastern side of the road. Their ultimate fate is unknown.

The attack rescued nearly 200 prisoners from the school buses, with miraculously few lost to the crossfire and shrapnel that lacerated the battlefield. These people, underdressed, underfed, and mostly terrified, had to be led on a hasty withdrawal across rough terrain to Currie’s rally point, and then brought on a largely unplanned relocation that would quickly move the company away from the site of the battle while still moving carefully enough to evade detection. In this, they were undoubtedly fortunate that it was winter and that the local populace was willing to volunteer a large number of snowmobiles, 4x4s and other vehicles to help move everyone who wanted to travel along with Currie’s force. The iconic picture of Canadian partisans in Saskatchewan firing a machine gun from the bed of a truck advertising ‘Belanger Contracting, 250 Rue Bangs’ may very well trace to this act of generosity.

David Prentiss turned out to be almost entirely disinterested in the contents of the vans in the Starfish Convoy, the personnel of which appeared to be US Army and ICE rather than Air Force. Seldom having known him to get things wrong in the past, Currie later challenged him on whether he had known that it was largely a prison transport from the beginning. “The Captain was pissed,” Burgoine explained, “but it wasn’t really about the target. Cap was always glad we got those people out. He just hated being lied to. That was the one thing you couldn’t really come back from, in his books.” Prentiss and Currie continued to travel together for at least several months afterwards, so the rupture must have been at least partially repaired, in the end.

“Let me ask you this,” Palumbo also recalls Prentiss replying. They had been watching the survivors sorting themselves onto commandeered vehicles and sharing out the available coats and blankets. “If we went back even just a couple of months, how many of them do you figure had a pretty regular life? Probably nothing fancy, but: place to live, job, like that.”

“Most of them, you’d think.” Currie replied.

“Nearly all of them, right? So how hard do you think it will be to persuade even half of them that they should spend the rest of their life getting revenge on the people who took it all away from them?”

“Civilians? You want us to arm civilians?”

“There’s no civilians any more, Captain, not really. The army’s finished, but the fighting?” Prentiss flicked his cigarette butt into a snowbank. “It hasn’t even really started.”

“You serious about this? You’re going to use these people to fight?”

“The front line is going to be everywhere, Captain Currie, and these people are going to bloody well want to fight. The enemy? We’re going to look just like them, we speak the language, we will disappear into them. Give me a little time to organize? They have no idea what’s coming.”

“So you’re not coming with us?”

“You’ve got me for now. Like I said: got to get organized.”

“And after that?”

“Need to know, Captain. But I’ll buy you a beer when the Americans go home.”

“That part sounds all right to me, anyway. But Mr. Prentiss, just so you know – whatever you say and whatever you hear on that radio, my boys and me are not finished just yet.” Currie walked back to his soldiers.

***

Rohan Currie was posthumously awarded the Star of Military Valour, as was Sophia Beaudry. The identity of ‘David Prentiss’ has never been reliably traced; accounts that he died in an El Salvadoran prison facility do not appear in the records until many years later and cannot be substantiated.

The identities of most of the people on the school buses described here will probably never be known. However, the persistence of ‘did you ride the bus?’ as a means by which members of the Canadian resistance would recognize each other for years afterwards is the strongest testimony to their significance in the genesis of the movement.

(This is an idea I’ve been kicking around for a while and finally got written up. I never know what to do with short pieces so here it is. Hope you enjoy. I am still working on a longer project and have entered into a Pact with some writer friends that will hopefully get that done sooner or later.)

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Kindness is our Superpower

Ok so it’s been a while since I wrote anything here, for which apologies. I haven’t felt like I had a lot to say that wasn’t being said better by others, as you know.

Right now we live in very scary times. I don’t need to iterate all the various ways they are scary; if you’re paying attention you know. I am trying, in my classes this semester, not to sound like a crazy person by pointing out to my students that we are in a time when people’s rights are genuinely under threat (I think many of them know that perfectly well) and that part of what I’d like to do is have them ready to push back on that. I am trying to do good in my little corner of things as best I can.

Anyway I think about the problems we’re facing right now and solutions for them, and then I was triggered to these specific thoughts by a certain (in)famous individual saying that empathy is the flaw of Western civilization – whatever the fuck that even is.

It’s a ghastly statement no matter how you look at it, emblematic of the aforementioned scary times, but I also think it shows how fundamentally these individuals misunderstand human beings. I would argue, instead, that kindness is our superpower, as a species.

Many people will say it’s ‘tool use’ or ‘intelligence’ or something like that, and I think there’s truth in that, with a significant ‘but’. Humans are fiendishly clever creatures and that has transformed our existence and the existence of everything on the planet, including the planet. But.

None of it is possible without being kind first.

What I mean is this: none of the ‘great minds’ we typically reify (da Vinci, Galileo, or whoever we’re currently all excited about) could do all the stuff they get their flowers for unless they weren’t also thinking about where their next meal was coming from, where they were going to live, and even if they were safe. You can’t spend all day watching a fly crawl around on the ceiling of your room and turning that into geometry if a) you don’t have a room, so you have to build or find that first, b) at the end of the day you won’t have anything to eat because you were watching a fly instead of harvesting and even c) you have to keep a lot of your attention on ‘is something coming to kill me’ instead of geometry. You can only do it if someone else is kind enough to take care of that shit on your behalf.

As a group we don’t have to think about all those things because it’s work other members of the community are doing. They typically don’t get feted in the stories, but it doesn’t happen without them. Someone gets the food. Someone prepares the food. Someone chased off the cave bears. We built communities. No-one can do everything. Everyone does something. It allows the specialists who think about gravity, or write computer code, or (god help us) teach history.

Essentially, humans decided to be kind to each other. Probably everyone has heard the story, attributed to the anthropologist Mary Mead, arguing that you can find the beginning of civilization with the first healed broken femurs. Because that means someone suffered a devastating injury that would have meant they couldn’t take care of themselves, couldn’t go out and kill a thing or dig a root or whatever, but their community looked after them until they were able to recover.

I was reading the other day about other prehistoric evidence, of skulls where the individual had lost all their teeth, but had then lived long enough for the sockets to start to heal over with bone. Which means they lived quite a while. Which means, again, that people were taking care of them, possibly chewing their food for them. These are presumably older individuals who were not going to become mighty hunters again but the people around them recognized that they were worthy members of the community anyway (we can imagine a variety of reasons why) and cared for them.

People learned to be kind. It enabled all the rest of it. A species that focuses and values what an individual can do is (I’m pretty sure) never going anywhere. Everything that humans have done that has made us the simultaneously wonderful and appalling creatures we are today flows from the fact that we figured out how to do things together.

For a variety of reasons the peculiar society I grew up in created the myth of the rugged individualist who needs nothing and takes care of their own needs and gosh darn it does the big things. It is a myth. I would argue such a person has never existed.

Kindness is, and always has been, humanity’s super power. We succeed when we take care of each other and create spaces where each individual can express the thing(s) that they are great at. Community, not genius, is what has driven us forward.

I don’t know if that perspective can be a way back from the horrifying precipice we are staggering close to. I don’t know if anyone can even hear it right now. As I get older (not quite at the toothless skull stage yet) I believe it more and more though. Maybe I need to. But it is at least part of the reason that I try to be a caretaker in my tiny little corner of things.

Links:

A bit of a dig into the Mead femur story, which she may or may not have really taught to a class:

The Toothless Skull thing:

https://www.scientificamerican.com/article/toothless-skull-raises-qu/

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Fuck You, Neil Gaiman

So if you’ve been on the internet at all the last few days, you will probably have seen that there have been some serious allegations of sexual abuse come out against Neil Gaiman, who (if you know me well at all) you will know has been a favourite author of mine and someone who I would have to say has influenced my own writing significantly. After my initial ‘for fuck’s sake’, I’ve ground it down over the past few days and here’s what I’ve got, if you were wondering.

I’m not going to reiterate the whole case here; the details are highly disturbing and easy to find if you want them. The gist is that two young women, one who was hired to be a live-in nanny for Gaiman’s son, the other a fan of his work at least 20 years younger than him, have both come forward to share stories that describe, graphically, painful and frightening experiences with Gaiman that they say they were forced into.

I’m not going to try to parse out what is and is not potentially part of a healthy relationship involving BDSM except to say that I know such a thing is possible. However, both women say the relationships were non-consensual and describe them as abusive, which is the key thing to focus on. These would have been difficult stories for these women to tell and as always my instinct is to believe them. From what I can see (based on what’s been released) it looks a lot like many abusive relationships where the victim persuades themselves that things are fine, or even good, at times while struggling with the abuse at the same time. I don’t have any reason to evaluate the stories of these women differently.

According to the reporting, Gaiman says the relationships happened but were consensual. It’s not entirely clear (to me) where that side of the story comes from, since neither he nor his ex-wife (who hired the nanny) spoke directly to the journalists. I believe they are drawing on a New Zealand police report (which has not been released) though I don’t believe this is directly stated. Gaiman is also described as casting aspersions on one victim’s mental health, which is by itself … not great.

(Full disclosure: most of the details of the allegations have been released in a four part podcast that I have not listened to. I have read the article that they came with and transcriptions of the first two episodes that Kathryn Tewson released on BlueSky. I believe she eventually plans to transcribe the other two but man, those first two kind of have everything you need to know in them.)

There are some things that give me pause. The allegations came out from Tortoise Media, which is not an outlet I had ever heard of before, and the story does not seem to have been picked up by major media outlets, despite its apparent newsworthiness. There are other questions about the journalists involved and to what extent they see this story as a vehicle to attack a prominent figure who has been an LGBTQ ally.

However, Tortoise does appear to have been involved in significant work covering sexual assault and giving voice to victims (thank you to Annabel Ross, who clarified this on her blog) and in any case the people who delivered the message don’t really affect whether the allegations are true or not. I would still like to see more reporting around this, and I await whatever response Gaiman himself will eventually come out with. No doubt there is a lot of consulting with lawyers going on.

One thing that nudges me over towards believing all of this is the number of people who have come forward to say that there have been whisper networks on Gaiman for years and that he was well known for this kind of behaviour, if you knew to talk to the right people. I kind of hate that these things have to exist, and obviously there are problematic aspects (what about people who aren’t part of the network?) but they do exist and in my limited experience they don’t tend to be based on nothing.

So I think on the balance of probability it is probably at least true that Neil Gaiman has at best taken advantage of many women who were various kinds of vulnerable and coerced them into sexual relationships, which often seem to have involved some BDSM stuff that is obviously really problematic if not fully consensual. At worst we’re talking about full on rape and sexual assault, which is yes obviously ‘worse’ but … none of it is good, none of it is defensible, none of it is ok.

My immediate and selfish reaction was grave disappointment in a writer I have admired and some dismay at what this would mean for me as someone who likes great stories. I say ‘selfish’ because of course the impact on me doesn’t matter at all, there are people who have been genuinely, grievously harmed and it’s them we should be concerned with.

(I wouldn’t entirely downplay the impact of losing an artist who has been an important part of one’s life and who has perhaps given voice to feelings we had. That’s real and it sucks. But it isn’t what should be foregrounded in a case like this, I think.)

I’ve since been thinking about this whole deal and what to make of it. As I said, there are some questions. Honestly though there may never be satisfactory answers, and I felt like I needed to reach some kind of conclusion about it all for myself, at least in part because I have been a reasonably vocal Neil Gaiman fan. Where am I now, with all this? I think people who have advocated for his work have at least a little responsibility to think about it.

So, absent further facts emerging, I think this: Even if we were to make the best possible interpretation in Neil Gaiman’s favour, and restrict ourselves only to the allegations in the Tortoise reporting: It appears to be true that he initiated a sexual relationship with a woman hired to be his child’s nanny, and that he had at least one sexual relationship with a fan who was significantly younger than him.

Neither of those things are ok, just by themselves. There can never be a consensual relationship between employer and employee, no matter what the rest of the relationship is like. There’s also such a power imbalance between a fan and the artist they admire (even leaving huge age gaps out of it) that any relationship under those circumstances is on exceedingly shaky ethical grounds, at best.

The picture this paints is of a person who is a sexual predator of some description, and a full-on abusive rapist if every detail of these allegations are true. If we believe the whisper networks (which I tend to do), then the picture gets a lot worse in a hurry, although it’s pretty gross no matter how you look at it.

So where am I with it? Obviously I can’t go back and ‘un-enjoy’ the things he wrote, or take back the nice things I said about them. I would be a huge fraud if I tried to say ‘well actually I never thought he was any good to begin with’. And I’d be lying if I said I could somehow undo the ways I know his art has influenced mine. And, to the extent that I (sometimes) think the stuff I write is kind of ok, I can’t even be upset about that influence. Not really.

But, there is so much great art being produced by people who are not abusers, creeps, and awful people. Neil Gaiman will never get another dime of my money and I will never give his stuff another moment of my time. There are genuinely good people to take advice and inspiration from. It makes me sad but honestly the focus should be on women he has victimized. I’m sorry that the status he gained from people like me who loved his writing put him in a position where he was able to do this.

I will, whenever I can, support artists who are positive forces in the world, I will always try to be on the side of the marginalized and the oppressed, and I will always try to be on the side of victims and support them when I can. My choices about what voices to amplify and what art to support are small in impact but they are what I can do. I try to make them thoughtfully and I will always admit when I get it wrong.

Incidentally it pisses me off that this will be further ammunition for people who claim that any artist who deals with darker themes and aspects of horror must be a disturbed and dangerous individual, which is unfair to artists and a form of blaming the victim – ‘well obviously you should have known’. It also pisses me off that this will be ammunition for people who claim that LGBTQ allies are abusers seeking cover, and it pisses me off that real abusers do keep using this strategy to seek their victims. Among other things I continue to think that we make a mistake when we elevate any celebrity as our exemplar, because we never really truly know them, no matter how much we think they’re showing us their real self.

Fuck Neil Gaiman for abusing the trust of so many, and for inflicting real harm on women who should have been able to trust him.

P.S. I don’t know if this means I’m gonna start writing in this blog again with any kind of regularity. I had mostly settled on the idea that the number of people who want to hear what I think about a bunch of junk is really vanishingly small and decided to shelve it. We’ll see I guess. Sorry if you’ve been waiting for an update and this is what you came back to, though.

Try Part Two

I don’t have a ton this week but I forgot to write last week so I’m gonna try a thing. It has been a heck of a couple weeks, though. For one thing, it’s the start of a new semester and my return to full time work, which has been very tiring, even though it’s exciting and a good thing overall. Then there’s just the wider world, with what seems like a relentless tide of wars, mass shootings, disease and assorted varieties of doom. So much so, that today they set the Doomsday Clock to 90 seconds to midnight, the most negative assessment ever given of our current state of affairs.

It’s enough to make one feel very bleak, and very powerless. But I’m reminded of the idea of the importance of making an effort. And then today, I had a student come by my office who was literally shaking trying to ask me a pretty run of the mill question – obviously they were having a lot of anxiety. That, I can help with. I can try to be calming and reassuring and give that one person some help in what probably felt like a tough spot in their day.

I can’t do anything about the war in Ukraine. I can’t un-wreck the planet. I can’t stop the demolition of the public health care system where I live. I can try to contribute to solutions to those problems by supporting organizations that are working on them. Obviously there are limits to that because I am, for some reason, not independently wealthy.

I can also try to make my immediate world a little better by doing things like supporting my students, trying to be kind to people when I can, and trying to be patient when challenges arise. I believe that art makes the world better, so I’m going to try very hard to carve out some time and energy to work on some of my long-neglected WIPs. It’s been a challenge but I know I’ll feel better when I’m able to do a bit.

I think that’s really all most of us can do: try to do a few good things that are directly within our own power. It probably doesn’t feel like a lot, but I think it can add up to a lot. So I tell myself on days like today, anyway. That’s what I’ve got for you this week. Thanks for reading.

p.s. I feel like I maybe should have something to say about all the Open Game License folderol, but I honestly don’t understand all the issues connected to it to have an informed point of view on it. So, aside from generalized concern about the ability of people who write and create in the RPG field to continue to make a living, I’ve really got nothing.

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Try

The new semester is about to start, and in our first meeting of the term, one of my colleagues was talking about a project to help students with resiliency; basically, helping them learn to hang in there when things get challenging. Another colleague was sceptical that we would be able to help very many in the couple years they’re at the college.

Another friend is having some trouble enjoying Star Wars, because (in part) the way the plot has been laid out, we know that many of the successes that we see on screen are only temporary. The Empire keeps coming back. To me, these two things are connected.

They’re also connected to the King Arthur stories (wait come back), which can be similarly bleak, if you think about it. I mean we know how it ends. Arthur dies. Camelot falls. His knights scatter. We’re left to bemoan what has been lost. Even most of his knights (except Galahad, who is no fun) generally fall short of the ideals Camelot is supposed to be founded on. So does Arthur. Does it all mean anything?

As I’ve argued before, I think it absolutely does. First of all, because it is a noble endeavour to try to live up to something great, even if you don’t quite do it. It’s admirable to try to hit a really hard target, even if you don’t. Trying to be good, trying to be a better person, or to do good in the world, has value. Just about no-one is perfect and never makes a mistake. But if we’re trying to be better than our missteps, that’s still worth something.

It absolutely matters, in the Star Wars stories, that things were better for a while. Heck I’m deeply suspicious, these days, of anything that tells me that the bad guys were vanquished forever and everything was fine thereafter. Because that’s not usually how it works. There always does seem to be that next problem. That doesn’t mean that it doesn’t matter that we fixed the last one, and that we shouldn’t be proud of that. It does, and we should. We made it better. Star Wars, very generally, is about trying to make things better.

It absolutely matters, to me, if we help a few of our students, even if it isn’t most of them. Heck, I think it’s worth doing this project even if we only help one. Because then we helped one. We made it better. All we can do is try our best with the resources we’ve got, and hope that maybe we make it quite a lot better instead of a little better. But even a little better isn’t nothing.

So yes, I still enjoy it when they blow up the Death Star, even though I know the Empire is going to build another one. I still like it when Spidey foils the Kingpin’s evil plot(s), even though there will undoubtedly be another villain along in a minute. And I still love Sir Gawain, King Arthur, and the rest of that hot mess of a knightly court. Because they tried, man. And things were better, even if only for a while.

One of my favourite parts of Andor was the character of Nemik, the idealistic Rebel with his manifesto. The extract from that in the final episode never fails to move me, and the last line of it – “Remember this: Try.” – is a motto I am going to try to adopt as I recover from my surgery and try to get back to a place where I can write. And I think it’s an idea we need in the world. Even if our efforts only make things a little better for a little while. That’s still not nothing.

Thanks for reading.

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2022

Apologies for no blog entry last week; due to various holiday related factors, I wasn’t able to write it on the Tuesday and didn’t feel like I had anything significantly fascinating to do it on another day. A week later, and I’m not exactly drowning in ideas this time either. Looking back, for a while I did a sort of year-end retrospective post around now, and obviously the internet is awash in them right now.

I guess I’ve felt less like doing one recently because a) there’s only so many ways to try to spin ‘wow it was a tough year, but by god we carry on’ and b) I don’t have any particular insight or perspective on the world at large that would make it overly compelling. That’s if we consider the world at large, so maybe I shouldn’t for the purposes of this.

In my own selfish little universe, 2022 revolved around two things: I got my book published, and I got my heart fixed. Both of those were undeniably good things, both were significant challenges in different ways, and both leave me with something to think about for 2023.

I was very excited to have a publisher for Easter Pinkerton and the Case of the Heretic Blood, and it never gets old having the physical object that contains the story you made up in your hands. It’s been fun, also, hearing from people who have picked it up and enjoyed what they read. It’s hard to think of a better compliment you could give me than spending some of your time with my imaginary people.

At the same time, though, I haven’t done a great deal with my imaginary people in the past year. I’m still finding it very difficult to write. Basically what I’ve learned about myself is that I really need chunks of time when I can put the rest of the world aside and just think about a place that doesn’t exist. That’s been hard with so many things from the real world so insistently impinging all the time, and I hope that my writing productivity will improve with a few less urgent worries in my mind. One of the good things about accepting that I will always be a hobby writer is that whatever level of production I get to is fine in the big picture, but I do miss the feeling of when the words are flowing and fun things are being created. I hope to get back there at least a bit more in the year ahead.

Getting the surgery I needed on my heart was obviously very good for me. It also involved a lot of stress from the effort to make it happen, and the recovery from it is a lesson in patience. I feel mostly back to myself now, although getting back to my previous level of physical fitness is going to take a while. There’s no reason why I can’t, but I can’t just flip the switch and be back running a half marathon any more than I can press a button and have the next writing project done. No quick fixes.

One of the things I really noticed about my interaction with the healthcare system is how overstretched everyone is and the problems that come from that. This is the result of many years of healthcare not being properly funded. I do not believe it is the inevitable state of a public healthcare system, but rather is the result of choices made by politicians. Right now, I absolutely believe there is a deliberate strategy to pave the way to for-profit healthcare in Ontario by starving the public system of funds.

So there’s challenges like that ahead in 2023, which can make me feel a bit grim when I think about it. On the other hand, much like the freshly-created word document, the year ahead is a space unfilled. So I’m going to do what I can to put some good stuff in there when I can.

Thanks for reading.

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Star Wars Part Next

I wasn’t sure what to write about this week, and I’m not ready to do a ‘year in retrospective’ thing, but then I was saved by a few details starting to leak about some new Star Wars stuff that is coming out. In particular the Ahsoka series (which I am excited for) and some rumours (unsure how credible) that it will somehow re-examine or re-explore the ending of Revenge of the Sith. Which makes me a little concerned, because I think the biggest thing that is being done wrong with the Star Wars universe right now is continuing to run back and forth over the same ground, with the same characters.

But, hey, it gave me something to write about, which is just what I think, as someone who is still a pretty enormous Star Wars fan, and someone who thinks rather too much about stories, they should do next instead. Because we’ve had great characters, and great stories, but eventually you find the bottom of every barrel. And I think that’s kind of where we are with what has been, up to now, the central arc of the Star Wars movies and associated stuff.

My feeling is this: I think it is time, and past time, to close the book on the story of the Skywalkers, Palpatine, and their constellation of characters. It’s been told (imperfectly, of course) and gaps have been filled in and I think we’re done with it, or should be. Continuing to mess around with the same characters is definitely a safe option – it’s maybe not hard to sell a viewer, or a reader on more stories about characters they’ve loved already – but I ultimately think there’s so little room to manoeuvre left that the stories won’t be very interesting. Continuing to rework and rexamine the same cast of characters is essentially like bringing out more Hardy Boys novels: consumable, certainly, but also not exactly exciting. Easy to skip. Star Wars can be so much more than that.

The Andor series showed us how, to a point. It was almost entirely new characters, and though our main character was plucked from an existing movie, he almost entirely went to places we hadn’t seen and did things we hadn’t heard about before. It was the best Star Wars we’ve had in a very very long time. The Mandalorian also works well (though not as brave a series as Andor) for the same reason. But I don’t think it should be about finding more gaps to fill in what’s already been told. I think what the people making the decisions on the Disney Death Star need to grapple with now is how to tell more bold, brand new stories in the setting.

Essentially I think the decision comes down to ‘what happens NEXT’. You can’t keep bringing back Palpatine as the big bad over and over, and you can’t keep resurrecting the Empire either. We did that. What’s the next problem? Where does it come from? Who tries to solve it? You can’t use the people who fixed the last one, either. (Sorry, Rey.) It is time for a truly new story.

I don’t think ‘different story’ needs to mean ‘no Jedi’, as I have seen suggested in many a place. The Force and the people who use it are integral to the Star Wars setting, and part of what makes it different from other SF-ish things that are out there. Obviously you can tell great Star Wars stories without going there (viz. Andor) but I don’t think that means that the only great stories that are left to tell are ones that don’t, uh, use the Force.

If we look at one of my other favourite settings, the Arthurian tales are absolutely full of stories of knights going places and doing things, or attempting to do them. There are surely just as many tales to be told of Jedi (and other Force users) trying, often imperfectly, to do amazing deeds and defeat mighty enemies. The Arthurian knights struggle to live up to their code of morals and ethics and those struggles are both instructive and compelling. They also would seem to transfer fairly seamlessly to Jedi, aspirant Jedi, and fail(ed)(ing) Jedi sort of characters.

If it was me, I think about directly stealing from the Arthur mythos. With the Empire gone (really double plus extra gone) we look at trying to establish something better. A new galactic society based on something better, and better than the Republic (which gets more problematic the more we look at it). There will be problems. There will be struggles. Arthur could only make it work briefly before it collapsed again under human fallibility, but the story of the attempt was something else. Dare we imagine a Star Wars character who can do better?

All of which is to say that the setting is rich and vibrant. It is full of possibility for writers, and for those of us who will get to enjoy the stories. What I hope we will see, and soon, are some creators with the courage to start writing us a really new Star Wars story.

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Beach Vader

I was going to write another thing this week with some more thoughts that I had about AI producing things like visual art and writing, but there’s tons of much better informed (and likely cleverer) people out there tackling the issue(s), so I’m going to hang back on this one and instead deal with another of the key questions facing us in the current moment: Beach Darth Vader.

For context: every year for a while now, I’ve done the Star Wars Lego advent calendar, which makes for a pretty fun month of building little zippy ships and other assorted Star Wars stuff. Usually they throw in a few “festive” themed things, like a power droid done up like a Christmas present, and sometimes there’s just some goofy things. This year, we got Beach Darth Vader, which I think is best explained with a visual.

Ok, so it’s Darth Vader in a holiday tank top, with swim fins and a ball, and then another build giving him a shovel, a pail, and a sand castle. It’s pretty darn cute, it made me smile when I unpacked it, and it’s definitely a fun little thing, so well done, Lego. It also made me think a bit, though.

Because this is still Darth Vader, of the summary executions, torture of prisoners, evil magic, and service to a fascist empire. Yet basically, we’re also happy to have him as a silly little dude having fun on the beach. (Yes broadly his arc in the original trilogy is that he’s redeemed in the end, but remember he has to sacrifice his own life to earn that) Basically, Darth has become fun.

I’ve been trying to think of other examples of this and I’m not sure there’s a lot. (Feel free to correct me) It sort of happens with comic book villains, in part I think for the same reason Darth Vader can become fun: at least part of the demographic is children, so when you tell stories to a younger audience, you tend to make the bad guys silly rather than truly awful. And basically people like silly. So, like, kids will laugh about the Joker (because he is a clown after all) at the same time as this being a character who killed Jason Todd with a crowbar along with countless other, often gory, killings.

Along those lines, it’s been intriguing to me watching Harley Quinn and Poison Ivy transform from straight up villains of Batman’s rogues gallery to the point where you can buy their figures in sets of ‘superheroes’ along with the classic Justice Leaguers. Part of that, though, has been a deliberate evolution of their stories to take them beyond the role of antagonists and make them more sympathetic characters. (I kind of hope they retconned Harley’s first, and horrifying, origin story.)

But like, Darth is still Darth. He’s just very recognizable, part of a franchise that many people have a great deal of affection for, and have often enjoyed for a big stretch of our lives. You often hear authors say how much affection they have for their villains, and in a way it’s inevitable, when you spend so much time with a character, that you come to like them at least a little bit. And of course it helps that we know they’re not actually real, so however despicable their actions, on some level we know it’s all pretend. We don’t hate the actor for playing the bad guy on stage, and at a certain point maybe we don’t blame ol’ Darth for playing his part in the story we love either.

I think part of this also speaks to the broad appeal of superheroes, supervillains, and Star Wars, which isn’t too far removed from that. You use those basic ingredients to tell a story that a very young child will understand and enjoy about spaceships and laser swords and cute droids that go boop. You can also tell a story creaking old folk like me will like about resistance and sacrifice and difficult moral choices. To me, that’s pretty cool, even if you do get a few things that are at least a little odd when you stop to think them through, like Beach Vader.

I don’t really object to Beach Vader, by the way. I think it’s fun, and god knows we all need that these days. It gave me a little bit of joy the first time I realized exactly what it was, and I firmly believe that we should let people enjoy the things that make them happy. And I think we can easily recognize that it’s ok to do this with Vader, who’s not a real villain or a real problem, and save our truly lasting enmity for the real bad people and real dangers out there.

Fight the Empire.

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