This entry is not about the Infinity War trailer, although it is kind of caused by it. I’m pretty sure.
The more direct cause is a friend of mine complaining/observing on the internet that there are a great many movies about war. I guess the immediate reaction to that might be that of course there are, because wars are exciting (whether it’s a good kind of excitement or not depends on the reader/viewer) and people like to make exciting stories. It is also, of course, a weathered old chestnut that there is no story without a conflict, and a war is in a lot ways conflict writ large.
So it makes sense that there are a lot of war stories. Humanity has also, it is undeniably true, fought a great many wars, and many of those make for dramatic and exciting stories, either told as-is or used as fodder for embellishments, reweavings, and reimaginings. So again, it makes sense that there are a lot of war stories.
Particular to movies like Infinity War, superhero stories seem particularly to depend on violent conflict, good guys vs bad guys, and superhero stories are notably popular right now (although I reckon the wave is close to cresting, if it hasn’t already), so again – lots of violent stories to be told. At first glance, there isn’t much of a tale to be told about Tony Stark in a board meeting – at least, not compared to the whiz-bang-kaboom of the heroes fighting. So it makes sense, the stories that get told.
There are of course many kinds of stories that do not include any kind of war or violence, that people find engrossing and thrilling and enjoy a great deal. There are whole genres of entertainment devoted to stories that, although they have conflict, don’t have any kind of fight. I suppose they tend not to get promoted quite as loudly as the warlike ones, which probably suits the subject matter.
This all seems relatively straightforward, and yet I don’t really think my friend was wrong in his complaint, because when you look at the particular genre of fiction that write and tend to consume the most – fantastic fiction – it does tend to skew very heavily towards stories that centre around violent conflict, in some form.
Not every story, of course, and the conflict is there to greater and lesser degrees in different stories, but it is a rare SFF story that doesn’t have a bomb go off at some point, or at least an assassin lurking in the shadows. We tend to tell fairly bloody stories, much of the time. Again, this is at least in part because conflict, violent conflict, is exciting. This has all been true for a very long time.
What I got to thinking was a very interesting question from all this, though, was whether or not there are equally exciting SFF stories to be told that are about peace rather than war. About solving problems, one would suppose, but solutions that do not involve shooting anything, hitting anything with a sword, or blowing anything up. It seems as though the answer very much should be yes – doesn’t it?
I’m sure I’m far from the first to think about this, I don’t have any good answers as to what such a story would look like, yet, and I feel ever-so-slightly hypocritical to be mulling this over at the same time as I’m finishing (he said hopefully) my tale of a rather lethal Victorian spy. But I think it’s an interesting question, I think it’s potentially an important question, as we consider what kind of stories we want to add to this intensely violent world we live in, and I’m going to keep working on it in the weeks ahead.
Maybe I can make that one friend stop complaining.
(I hope it goes without saying that if you have favourite non-violent SFF tales, shoot ’em my way. I would love to add to my mountainous ‘to read’ pile.)