As I guess you’ll know if you’ve read much of this blog, I teach history, and I’ve taught a fair number of lessons dealing with automation. It’s difficult to do any kind of survey course without touching on the Industrial Revolution, and therefore getting into the question of mechanical labour replacing human labour.
I usually present it as a kind of two-sided development, because on the one hand the new industrial processes enabled far more of basically any kind of product to be produced for lower costs, so it became possible for people to buy a much greater range of things than would have been the case beforehand. The consumer economy was more or less born.
The other side is that workers who had their labour replaced – for example, a weaver who saw themselves replaced with a power loom – essentially saw a skilled vocation disappear, and for many, their standard of living fell through the floor at the same time as others were becoming wealthy. The gap between rich and poor in the new industrial cities was bigger than it had ever been.
Obviously automation is still something we are wrestling with today; I found a great article a few years ago written by a truck driver, contemplating the advent of a supply chain running on driverless vehicles and automated warehouses, which would probably speed transportation, reduce hazards on the roads, and of course reduce costs. He also estimated that it would or will put about 3 million people out of work in the U.S. The writer of the piece concedes that this is probably inevitable, because the dollars will win.
It’s not an accident that I’m writing about this tonight. Last night I read a thing about how a company owned by Elon Musk (I mean, of course it’s Elon Musk) is working on an AI that can take a given set of prompts and write a fan fiction story based on them. It doesn’t work yet, but as someone who writes stories and who would kind of like it if people bought them, that’s a sobering thing to contemplate on approach. It’s not hard to imagine a company like Disney being delighted with the idea of an AI that can endlessly churn out, say, Star Wars novels, and it’s also not hard to think of the chilling effect that tech will also have on what is already a difficult field to make your bread and cheese in.
And of course writers are perhaps not facing the immediate threat that visual artists are, as art-creating AI becomes less and less of a curiosity and more and more something accessible and useable by ordinary people. Even beyond the question of replacing human labour with computer labour, in this case, are the ethics of these AIs often being trained on the work of human artists who did not consent to their art being used for this purpose and who received no compensation.
So we live in a time when the automation question is arriving for the artistic community, and perhaps because I’m in a bleak mood, I’m pretty sure I know how this is going to go too. I’ve seen people who I otherwise consider friends of the artistic community for whom the lure of ‘cool art cheap’ is going to be more than they can resist, and corporate interests for whom ‘how much does it cost us’ is and always will be the only consideration are already starting to produce art for commercial applications using AI. That was someone’s job a couple years ago.
As I say, I don’t think this is a change that can be prevented. The dollars will win as they always do and humans doing art will become even more of the preserve of the well-to-do in society than it currently is. But right now, in this moment, we can at least express that it’s not what we want as individuals, and that we value the brilliance, ability, and labour of human artists.
Personally I will not give any of my money or other support to any project that uses AI art, unless at absolute minimum they are able to demonstrate that their program uses only the work of artists who all gave explicit consent for their work to be used for the purpose and who were compensated. The burden of proof is on them. And then I’ll think about it.
I don’t want to get overly maudlin about this, but there are many people I love in this world who are artists. Whatever the future is going to be, now is the moment where we can show them that. Please support your local humans, even if the bot can make something pretty.
Thanks for reading.